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Author Tissol, Garth

Title The Face of Nature : Wit, Narrative, and Cosmic Origins in Ovid's ""Metamorphoses""
Published Princeton : Princeton University Press, 2014

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Description 1 online resource (252 pages)
Series Princeton Legacy Library
Princeton legacy library.
Contents Acknowledgments ; Abbreviations ; Introduction; CHAPTER 1; Glittering Trifles: Verbal Wit and Physical Transformation; Transgressive Language: Narcissus and Althea; Indecorous and Transformative Puns; Misunderstanding aura: Cephalus, Procris, and the Pun; Divinatory Wordplay: The Pun Overheard; Vox non intellecta: Irony and Metamorphic Wordplay (Myrrha); Littera scripta manet-Or Does It? (Byblis); Self-Cancelling and Self-Objectifying Witticisms; Wordplay, Personification, and Phantasia; True Imitation: Ceyx, Alcyone, and Morpheus; The House of Reception; CHAPTER 2
The Ass's Shadow: Narrative Disruption and Its ConsequencesSome Exemplary Interruptions; Daedalus and Perdix; Cyclopean Violence and Narrative Disruption; Some Scandalous Passages; CHAPTER 3; Disruptive Traditions; Indecorous Possibilities: Callimachus's Hymn to Artemis and Ovidian Style; Elegiac Contributions: Propertius's Tarpeia and Ovid's Scylla; Epic Distortions: The Hecale in the Metamorphoses; CHAPTER 4; Deeper Causes: Aetiology and Style; Aetiological Wordplay; Ovid's Little Aeneid; Aetiology and the Nature of Flux; Conclusion; APPENDIX A ; G.J. Vossius on Syllepsis Oratoria
APPENDIX B Syllepsis and Zeugma ; APPENDIX C; Further Examples of Syllepsis in Ovid ; References ; Index Locorum ; Index
Summary In these reflections on the mercurial qualities of style in Ovid's Meta-morphoses, Garth Tissol contends that stylistic features of the ever-shifting narrative surface, such as wordplay, narrative disruption, and the self-conscious reworking of the poetic tradition, are thematically significant. It is the style that makes the process of reading the work a changing, transformative experience, as it both embodies and reflects the poem's presentation of the world as defined by instability and flux. Tissol deftly illustrates that far from being merely ornamental, style is as much a site
Notes Print version record
Subject Ovid, 43 B.C.-17 A.D. or 18 A.D. Metamorphoses.
Ovid, 43 B.C.-17 A.D. or 18 A.D. -- Literary style
Ovid, 43 B.C.-17 A.D. or 18 A.D. -- Style
SUBJECT Ovid, 43 B.C.-17 A.D. or 18 A.D. fast
Metamorphoses (Ovid) fast
Subject Latin wit and humor -- History and criticism
Mythology, Classical, in literature.
Cosmology, Ancient, in literature.
Narration (Rhetoric) -- History -- To 1500
Metamorphosis in literature.
Latin language -- Style
Rhetoric, Ancient.
SOCIAL SCIENCE -- Sociology of Religion.
HISTORY -- Ancient -- Greece.
Cosmology, Ancient, in literature
Latin language -- Style
Latin wit and humor
Metamorphosis in literature
Mythology, Classical, in literature
Narration (Rhetoric)
Rhetoric, Ancient
Literary style
Genre/Form Criticism, interpretation, etc.
History
Form Electronic book
ISBN 9781400864614
1400864615