Intro -- CONTENTS -- ACKNOWLEDGMENTS -- Introduction -- 1 Theoretical Framework -- 2 Pitch-Content in Josquin's Motets -- 3 The German Custom -- 4 Traditions of Pitch-Content -- Conclusion -- APPENDIX -- NOTES -- GLOSSARY -- B -- C -- D -- E -- F -- G -- H -- I -- K -- M -- N -- O -- P -- R -- S -- T -- V -- BIBLIOGRAPHY -- LIST OF EXAMPLES -- INDEX OF NAMES AND TITLES -- A -- B -- C -- D -- E -- F -- G -- H -- J -- K -- L -- M -- N -- O -- P -- R -- S -- T -- V -- Z -- GENERAL INDEX -- A -- B -- C -- D -- F -- H -- I -- L -- M -- N -- O -- P -- R -- S -- T -- U -- V -- W
Summary
The oral traditions surrounding the application of sharps and flats to 16th century vocal music are documented in relation to theoretical literature, vocal sources, and intabulations of vocal music