| Description |
1 online resource (xiv, 975 pages) : illustrations |
| Series |
Series in affective science |
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Series in affective science.
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| Contents |
Emotions expressed and aroused by music : philosophical perspectives / Stephen Davies -- Emotion in culture and history : perspectives from musicology / Nicholas Cook and Nicola Dibben -- At the interface between the inner and outer world : psychological perspectives / John A. Sloboda and Patrik N. Juslin -- Towards a neurobiology of musical emotions / Isabelle Peretz -- Exploring the habitus of listening : anthropological perspectives / Judith Becker -- Emotion as social emergence : perspectives from music sociology / Tia DeNora -- Self-report measures and models / Marcel Zentner and Tuomas Eerola -- Continuous self-report methods / Emery Schubert -- Indirect perceptual, cognitive, and behavioural measures / Daniel Västfjäll -- Psychophysiological measures / Donald A. Hodges -- Functional neuroimaging / Stefan Koelsch, Walter A. Siebel and Thomas Fritz -- Emotion and composition in classical music : historiometric perspectives / Dean Keith Simonton -- The role of structure in the musical expression of emotions / Alf Gabrielsson and Erik Lindström -- Emotion and motivation in the lives of performers / Robert H. Woody and Gary E. McPherson -- The role of negative emotions in performance anxiety / Dianna T. Kenny -- Expression and communication of emotion in music performance / Patrik N. Juslin and Renee Timmers -- Music in everyday life : the role of emotions / John A. Sloboda -- Experimental aesthetics and liking for music / David J. Hargreaves and Adrian C. North -- Strong experiences with music / Alf Gabrielsson -- Musical expectancy and thrills / David Huron and Elizabeth Hellmuth Margulis -- How does music evoke emotions? Exploring the underlying mechanisms / Patrik N. Juslin, Simon Liljeström, Daniel Västfjäll and Lars-Olov Lundqvist -- Perspectives on music and affect in the early years / Sandra E. Trehub, Erin E. Hannon and Adena Schachner -- Preference, personality, and emotion / Peter J. Rentfrow and Jennifer A. McDonald -- The influence of affect on music choice / Vladimir J. Konečni -- Politics, mediation, social context, and public use / Reebee Garofalo -- Cross-cultural similarities and differences / William Forde Thompson and Laura-Lee Balkwill -- Music education : the role of affect / Susan Hallam -- Music therapy / Michael H. Thaut and Barbara L. Wheeler -- Music, health, and well-being / Suzanne B. Hanser -- Music as a source of emotion in film / Annabel J. Cohen -- Music and marketing / Adrian C. North and David J. Hargreaves -- The past, present, and future of music and emotion research / Patrik N. Juslin and John A. Sloboda |
| Summary |
Music's ability to express and arouse emotions is a mystery that has fascinated both experts and laymen at least since ancient Greece. The predecessor to this book 'Music and Emotion' (OUP, 2001) was critically and commercially successful and stimulated much further work in this area. In the years since publication of that book, empirical research in this area has blossomed, and the successor to 'Music and Emotion' reflects the considerable activity in this area. The Handbook of Music and Emotion offers an 'up-to-date' account of this vibrant domain. It provides comprehensive coverage of the many approaches that may be said to define the field of music and emotion, in all its breadth and depth. The first section offers multi-disciplinary perspectives on musical emotions from philosophy, musicology, psychology, neurobiology, anthropology, and sociology. The second section features methodologically-oriented chapters on the measurement of emotions via different channels (e.g., self report, psychophysiology, neuroimaging). Sections three and four address how emotion enters into different aspects of musical behavior, both the making of music and its consumption. Section five coversdevelopmental, personality, and social factors. Section six describes the most important applications involving the relationship between music and emotion. In a final commentary, the editors comment on the history of the field, summarize the current state of affairs, as well as propose future directions forthe field. The only book of its kind, The Handbook of Music and Emotion will fascinate music psychologists, musicologists, music educators, philosophers, and others with an interest in music and emotion (e.g., in marketing, health, engineering, film, and the game industry). It will be a valuable resource for established researchers in the field, a developmental aid for early-career researchers and postgraduate research students, and a compendium to assist students at various levels. In addition, as withits predecessor, it will also attract interest from practising musicians and lay readers fascinated by music and emotion |
| Bibliography |
Includes bibliographical references and index |
| Notes |
Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002. http://purl.oclc.org/DLF/benchrepro0212 MiAaHDL |
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English |
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digitized 2010 HathiTrust Digital Library committed to preserve pda MiAaHDL |
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Print version record |
| Subject |
Music -- Psychological aspects.
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Emotions.
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Music -- psychology
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Emotions
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emotion.
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Emotions
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Music -- Psychological aspects
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Musikpsychologie
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Musik
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Physiologie
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Neurophysiologie
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Gefühl
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Muziekpsychologie.
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Emoties.
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Musik -- Emotion.
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Emotion -- Musik.
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Musikpsychologie.
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Musik -- psykologiska aspekter.
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Musik -- känslor.
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| Form |
Electronic book
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| Author |
Juslin, Patrik N.
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Sloboda, John A.
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| ISBN |
9780191696435 |
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0191696439 |
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0191620726 |
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9780191620720 |
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9780191621970 |
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0191621978 |
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