| Description |
1 online resource (237 p.) |
| Series |
SEMPRE Studies in the Psychology of Music |
|
SEMPRE studies in the psychology of music.
|
| Contents |
Cover -- Half Title -- Series Page -- Title Page -- Copyright Page -- Dedication -- Contents -- List of illustrations -- Series editor's preface -- Foreword -- 1. Introduction -- 2. Musical sense-making: enaction, experience, and computation -- 2.1. The hard problem of consciousness: bridging the explanatory gap? -- 2.2. Phenomenology and first-person experience -- 2.3. Phenomenology and the concept of lived experience -- 3. Sense-making and the enactive approach -- 3.1. Sense-making and meaning -- 3.2. Sense-making and enaction -- 3.3. Enactive sense-making in music and the 4E approach |
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4. Musical meaning: representational-computational versus dynamic-experiential approach -- 4.1. Musical meaning and the internal/external dichotomy -- 4.2. The propositional approach: subject and predicate -- 4.3. The digital-discrete versus the analog-continuous approach -- 4.4. The quantal aspect of sense-making: event perception and the principle of cognitive economy -- 4.5. The acoustic and vehicle mode of sound perception -- 4.6. An experiential and dynamic approach: the "in time"/ "outside of time" dichotomy -- 5. Experience and interaction: ecological, cybernetic, and embodied claims |
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5.1. The concept of experience -- 5.2. The concept of interaction: ecological and cybernetic claims -- 5.3 Interactions and the enactive approach -- 5.4. Embodied and enactive cognition: action and perception -- 6. From interaction to sense-making -- 6.1. The organismic-developmental approach: from fusion to differentiation -- 6.2. Pointing and predication: deixis and the indexical approach -- 6.3. From sensorimotor interactions to internalized enaction and motor categorization -- 6.4. Externalization of felt experience and the gestural analogy -- 6.5. Emotion as embodied consciousness |
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7. Music and the extended computational approach -- 7.1. Preliminaries: representational semantics -- 7.2. From computation to extended computation -- 7.3. Representation and computation -- 7.4. Computation and embodied dynamicism -- 7.5. Computation and embodied empiricism -- 8. Perspectives and future epistemology: social cognition, dynamical systems theory, and neurophenomenology -- 8.1. Social cognition and participatory sense-making -- 8.2. Dynamical systems and neurophenomenology -- 8.3. Neurophenomenology and scientific/experimental research |
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8.4. Music and the dynamic approach: future epistemologies -- References -- Index |
| Notes |
Description based upon print version of record |
| Subject |
Music -- Psychological aspects.
|
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Music -- Philosoophy and aesthetics
|
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Musical perception.
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Music -- Psychological aspects
|
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Musical perception
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| Form |
Electronic book
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| ISBN |
9781000260854 |
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1000260852 |
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1000260879 |
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9781000260861 |
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1000260860 |
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9780429274015 |
|
0429274017 |
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9781000260878 |
|
