| Description |
1 online resource (x, 394 pages) : illustrations, music |
| Series |
Currents in Latin American and Iberian music |
|
Currents in Latin American & Iberian music.
|
| Contents |
Colonial capital, global city -- Musical transactions and intercultural exchange -- Mapping musical cultures -- The hispanization of Filipino music -- Courtship and syncretism in colonial genres -- Cathedrals, convents, churches, and chapels -- Regulations, reforms, and controversies -- Fiesta filipina -- Contrapuntal colonialism |
| Summary |
The author reconnects the Philippines to current musicological discourse on the early modern Hispanic world. He uses the metaphors of counterpoint and enharmony to critique musical practices within the colonial milieu. The introduction and institutionalization of counterpoint acted as a powerful agent of colonialism |
| Bibliography |
Includes bibliographical references and index |
| Notes |
Print version record |
| SUBJECT |
Manila gnd |
| Subject |
Music -- Philippines -- History and criticism
|
|
Music -- Philippines -- Spanish influences
|
|
MUSIC -- History & Criticism.
|
|
Music
|
|
Music -- Spanish influences
|
|
Musikethnologie
|
|
Kolonie
|
|
Kultur
|
|
Musik -- historia -- Filippinerna.
|
|
Philippines
|
| Genre/Form |
Criticism, interpretation, etc.
|
| Form |
Electronic book
|
| ISBN |
9780199703012 |
|
0199703019 |
|
9780195378269 |
|
0195378261 |
|
