Cover; Half-title page; Series page; Title page; Copyright page; Dedication; Contents; List of Figures; List of Plates; Acknowledgments; List of Abbreviations; Introduction: The Painting of Painting in Ancient Rome; 1 Winckelmann and the Cultural Dynamics of Painting; 2 Disrupting the Frame; 3 The Ethics and Politics of Art; 4 Transparent and Opaque: Medium and Materiality on the Roman Wall; Plates; 5 Paradigms, Ensembles, and Anachronisms; Epilogue: Reflection and Reflexivity; Bibliography; Index
Summary
Demonstrates how ancient Roman mural paintings stood at the intersection of contemporary social, ethical, and aesthetic concerns