| Description |
1 online resource (106 min.) |
| Series |
Archive of lost choreography |
|
Dance in video |
| Summary |
Stanley Zompakos and Frederic Franklin, who created their respective roles in George Balanchine's Mozartiana in 1945 for the Ballet Russe de Monte Carlo, coach Nikolaj Hübbe, Julie Kent, and Christopher Barksdale. In the interview sections, Zompakos discusses how Balanchine recreated the gigue role with him, Balanchine's reputation in 1945, and his dance career at New York City Ballet. Franklin discusses Balanchine's approach to ballet compared to Leonide Massine's choreography, the differences between the original and recreated versions of Mozartiana, and how Balanchine used counts |
| Notes |
Title from resource description page (viewed Oct. 18, 2013) |
| Performer |
With Nikolaj Hubbe, principal dancer, New York City Ballet, Julie Kent, principal dancer, American Ballet Theatre, and Christopher Barksdale, Kansas City Ballet ; Interviewer, Nancy Reynolds ; pianists, William Marsden, Nancy McDill |
| Event |
Recorded 2001, Kansas City, MO |
| Notes |
This edition in English |
| Subject |
Balanchine, George
|
|
Franklin, Frederic, 1914-2013.
|
|
Zompakos, Stanley.
|
|
Balanchine, George. Mozartiana
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Franklin, Frederic, 1914-2013 |
|
Balanchine, George. |
| SUBJECT |
Mozartiana (Choreographic work : Balanchine) fast (OCoLC)fst01368278 |
| Subject |
Ballet -- Study and teaching.
|
|
Choreography.
|
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Choreography.
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Ballet -- Study and teaching.
|
| Genre/Form |
Instructional films.
|
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Instructional films.
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Films de formation.
|
| Form |
Streaming video
|
| Author |
Balanchine, George, choreographer (expression)
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Barksdale, Christopher, dancer.
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Brooks, Virginia, producer.
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Franklin, Frederic, 1914-2013, dancer, interviewee (expression)
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Hübbe, Nikolaj, dancer.
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Kent, Julie, dancer.
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Mardsen, William, instrumentalist.
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McDill, Nancy, instrumentalist.
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Reynolds, Nancy, 1938- director, interviewer (expression)
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Zompakos, Stanley, dancer.
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Choreography for (work): Tchaikovsky, Peter Ilich, 1840-1893.
Suites, orchestra, no. 4, op. 61, G major.
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