| Description |
1 online resource (276 pages) : illustrations |
| Series |
Global cinema |
|
Global cinema.
|
| Contents |
Introduction; Petr Szczepanik and Patrick Vonderau -- PART I: FIELDS AND APPROACHES -- 1. Borderlands, Contact Zones, and Boundary Games: A Conversation with John T. Caldwell; Patrick Vonderau -- 2. Analyzing Production from a Socio-Material Perspective; Sara Malou Strandvad -- 3. The 'Cultural' of Production and Career; Chris Mathieu -- 4. Pacts of Embodiment: A Comparative Ethnography of Filmmakers' Gestures; Emmanuel Grimaud -- 5. Film Production as a Palimpsest; Sylvie Lindeperg -- PART II: MODES OF PRODUCTION -- 6. Stress Aesthetics and Deprivation 'Pay' Systems; John T. Caldwell -- 7. The State-Socialist Mode of Production and the Political History of Production Culture; Petr Szczepanik -- 8. A Flexible Mode of Production: Internationalizing Hollywood Filmmaking in Postwar Europe; Daniel Steinhart -- 9. A European Take on the Showrunner? Danish Television Drama Production; Eva Novrup Redvall -- 10. Exporting Nollywood: Nigerian Video Filmmaking in Europe; Alessandro Jedlowski -- PART III: THE POLITICS OF CREATIVITY -- 11. Inequalities in Media Work; Rosalind Gill -- 12. Subjects At Work: Investigating the Creative Labour of British Screenwriters; Bridget Conor -- 13. Policy or Practice? Deconstructing Creative Industries; Philip Drake |
| Summary |
Production studies has developed into an interdisciplinary field of inquiry of film and television "production cultures," going beyond traditional examinations of authorship and industry structure. Studying production as culture involves gathering empirical data about the lived realities of people involved in media production - about collaboration and conflicts, routines and rituals, lay theories and performative actions. This volume broadens the scope of production studies by analyzing geographic and historical alternatives to contemporary Hollywood. At the same time, it invites disciplines such as ethnography, aesthetics, or sociology of art to reconsider established concepts of film and media studies like creative agency, genesis of a film work, or transnational production |
| Bibliography |
Includes bibliographical references (pages 241-252) and index |
| Notes |
Print version record |
| Subject |
Motion pictures -- Production and direction -- Europe
|
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Television -- Production and direction -- Europe
|
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Motion picture industry -- Europe
|
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Television broadcasting -- Europe
|
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PERFORMING ARTS -- Reference.
|
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Motion picture industry
|
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Motion pictures -- Production and direction
|
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Television broadcasting
|
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Television -- Production and direction
|
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Europe
|
| Genre/Form |
History
|
| Form |
Electronic book
|
| Author |
Szczepanik, Petr, editor
|
|
Vonderau, Patrick, editor
|
| ISBN |
9781137282187 |
|
1137282185 |
|
1137282177 |
|
9781137282170 |
|
1306286344 |
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9781306286343 |
|
