| Description |
1 online resource |
| Contents |
Introduction<br>Part I<br>Documentary Filmmaking in Africa: An Introduction. Defining Documentary -- Documentary in Africa -- Early African Cinema and the Documentary -- Early African Documentary Practices -- Into the Eighties...<br>Critical Insights: Reading the Films of Jean-Marie Teno. Committed Cinema: A Poetics of Resistance -- The Cinematic I: Subjectivity, Voice -- (Hi)stories, Memory: Decolonial Readings of the Past -- Spanning Borders: Transnationality, Circulations and Exile<br>Conclusion: For a Decolonial Aesthetics?<br>Part II In Conversation<br>Appendix 1 -- The Writings of Jean-Marie Teno<br>Appendix 2 -- The Films of Jean-Marie Teno: List of Works, their Technical Details and Synopses |
| Summary |
Weaving together critical analysis and a filmic conversation, this book journeys through the multiple layers of Cameroonian filmmaker Jean-Marie Teno's thematically and aesthetically challenging body of work, framed here as a form of decolonial cinematic resistance |
| Notes |
Restricted: Printing from this resource is governed by The Legal Deposit Libraries (Non-Print Works) Regulations (UK) and UK copyright law currently in force. WlAbNL |
|
Online resource; title from PDF title page (EBSCO, viewed March 25, 2020) |
| Subject |
Téno, Jean-Marie.
|
| SUBJECT |
Téno, Jean-Marie fast |
| Subject |
Motion pictures, African -- Cameroon -- History and criticism -- 20th century
|
|
Motion picture producers and directors -- Cameroon
|
|
Motion picture producers and directors
|
|
Motion pictures, African
|
|
Cameroon
|
| Genre/Form |
Criticism, interpretation, etc.
|
| Form |
Electronic book
|
| Author |
Téno, Jean-Marie.
|
| ISBN |
9781787448872 |
|
1787448878 |
|
9781787449602 |
|
1787449602 |
|
