| Description |
1 online resource (308 p.) |
| Contents |
Cover -- Endorsements -- Half Title -- Title -- Copyright -- Dedication -- Contents -- List of figures -- Acknowledgments -- Introduction: African Cinema in a Global Age -- PART ONE The Long 1990s -- 1 What the 1980s Brought -- 2 Kenneth Nnuebe, Living in Bondage and the Onset of Nollywood -- 3 Claire, Denis, Chocolat (1988): Auteurism and African Cinema -- PART TWO The Problematics of Modernity in African Cinema at the Millennium -- 4 Modernity in the Work of Tunde Kelani: Ti Oluwa Ni Ile (1993) and Thunderbolt: Magun (2001) |
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5 Modernity, Dominique Loreau, and Les Noms n'babitent nulle part (1994) -- 6 Two Films of Sotigui Kouyaté, a Modern Griot: Mahamat-Saleh Haroun, Sotigui Kouyaté (1995) -- Rachid Bouchareb, Little Senegal (2000) -- 7 Framing Modernity, Abroad: Anyaene: Ije: the Journey (2010) and Mother of George (2013) -- PART THREE African Cinema in an Age of Globalism -- Prologue to Part Three: Time and the End: Cheah's Normativity and Teleological Time -- 8 Alain Gomis, Tey (2012): Being Toward Death -- 9 Two Films about Women Witches: Rugano Nyoni, I Am Not a Witch (2017) |
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Maia Lekow, Christopher King, The Letter (2019) -- 10 The Resistance of the Old Woman: Lemohang Jeremiah Mosese, This Is Not a Burial, It's a Resurrection (2019) -- Conclusion: An Opera of This World (2017), Manthia Diawara: The Encounter with the Other Face-to-Face -- Films Cited -- Works Cited -- Index |
| Notes |
Description based upon print version of record |
| Subject |
Motion pictures -- Africa.
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Motion pictures -- Production and direction -- Africa
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Motion pictures.
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Motion pictures -- Production and direction.
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Africa.
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| Form |
Electronic book
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| ISBN |
9781000938135 |
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1000938131 |
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