| Description |
xii, 276 pages : illustrations ; 25 cm |
| Contents |
Introduction: An autobiography of enthusiasms -- Part 1. Poetry and the narrative cinema in Europe -- Pier Paolo Pasolini and "the cinema of 'poetry'" -- Dimitri Kirsanoff's Ménilmontant -- Ingmar Bergman's Primal scene -- Andrey Tarkovsky's concept of poetry -- Part 2. Poetry and the American avant-garde cinema -- The dialectic of experience in Joseph Cornell's films -- Lawrence Jordan's Magical instructions -- Stan Brakhage's poetics -- 8 Nathaniel Dorsky, Jerome Hiler, and the polyvalent film -- Gregory J. Markopoulos and the Temenos |
| Notes |
Includes bibliographical references (pages 257-270) and index |
| Bibliography |
Includes bibliographical references and index |
| Notes |
Text in English |
| Subject |
Experimental films -- Europe -- History and criticism.
|
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Experimental films -- United States -- History and criticism.
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Poetry in motion pictures.
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Motion pictures -- Aesthetics.
|
| Genre/Form |
Criticism, interpretation, etc.
|
| LC no. |
2014002191 |
| ISBN |
9780199337026 (hardcover) |
|
0199337020 (hardcover) |
|
9780199337033 (paperback) |
|
0199337039 (paperback) |
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