Film as architecture -- Film as music -- Film as image -- Film as spectacle -- Film as narrative -- Film as exploration -- Film as imagination -- Film as emotion -- Film as philosophy
Summary
"Explores film's connections to the other arts and the qualities that distinguish it from them. He explores the cinema's singular aesthetic potential and uses specific examples from a diverse range of films--from Antonioni and Hitchcock to The Searchers and The Bourne Supremacy--to demonstrate the many ways this potential can be realized"-- Provided by publisher
Bibliography
Includes bibliographical references and index
Notes
Print version record and CIP data provided by publisher
