Foreword: The Uncertainty Principle -- 1. The Rise of Hyper-Modern Film -- 2. Hollywood and the Politics of Virtual Spectacle -- 3. The Cold War and the Cinema of Wonder -- 4. Conspiracy Theory: JFK and the Nightmare on Elm Street Revisited -- 5. The Art of Identity: Greenaway, Jarman, Jordan -- 6. The Revival of the Cinematic City -- 7. French or American? The Time-Image in the 1990s
Summary
This is the final part of a critical trilogy that explores cinema in the latter half of the twentieth century. It fuses analysis of objective form with a subsequent critique of subjective form, and reassesses the close ties of the aesthetic and the political right up to today
Bibliography
Includes bibliographical references (pages 189-192) and index
Notes
Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002. http://purl.oclc.org/DLF/benchrepro0212 MiAaHDL
Print version record
digitized 2010 HathiTrust Digital Library committed to preserve pda MiAaHDL
