| Description |
1 online resource (241 pages) |
| Series |
Post 45 |
|
Post 45.
|
| Contents |
Preface; 1. Fragments of Modernity, 1889-1920; 2. Serial Pleasures, 1907-1938; 3. Fan-Addicts and the Comic Book, 1938-1955; 4. First-Person Graphic, 1959-2010; 5. Archives and Collectors, 1990-2010; 6. Coda: Comics, Film, and the Future of Twenty-First-Century Storytelling; Notes; Index |
| Summary |
When Art Spiegelman's Maus won the Pulitzer Prize in 1992, it marked a new era for comics. Comics are now taken seriously by the same academic and cultural institutions that long dismissed the form. And the visibility of comics continues to increase, with alternative cartoonists now published by major presses and more comics-based films arriving on the screen each year. Projections argues that the seemingly sudden visibility of comics is no accident. Beginning with the parallel development of narrative comics at the turn of the 20th century, comics have long been a form that invites--indeed req |
| Bibliography |
Includes bibliographical references (pages 195-213) and index |
| Notes |
Print version record |
| Subject |
Comic books, strips, etc. -- United States -- History and criticism
|
|
Motion pictures and comic books -- United States
|
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Narration (Rhetoric)
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Comic books, strips, etc.
|
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Motion pictures and comic books.
|
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Narration (Rhetoric)
|
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Bandes dessinées -- États-Unis -- 1870-1914 -- Histoire et critique.
|
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Bandes dessinées -- États-Unis -- 20e siècle -- Histoire et critique.
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Cinéma et bandes dessinées -- États-Unis.
|
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Narration.
|
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United States.
|
| Genre/Form |
Criticism, interpretation, etc.
|
| Form |
Electronic book
|
| ISBN |
9780804781787 |
|
0804781788 |
|
