| Description |
466 pages : illustrations ; 23 cm |
| Series |
Methuenfilm |
|
Methuen film.
|
| Contents |
Pt. 1. The writer and the art of story -- 1. The story problem -- Pt. 2. The elements of story -- 2. The structure spectrum -- 3. Structure and setting -- 4. Structure and genre -- 5. Structure and character -- 6. Structure and meaning -- Pt. 3. The principles of story design -- 7. The substance of story -- 8. The inciting incident -- 9. Act design -- 10. Scene design -- 11. Scene analysis -- 12. Composition -- 13. Crisis, climax, resolution -- Pt. 4. The writer at work -- 14. The principle of antagonism -- 15. Exposition -- 16. Problems and solutions -- 17. Character -- 18. The text -- 19. A writer's method |
| Summary |
Writing for the screen is quirky business. A writer must labor meticulously over his or her prose, yet very little of that prose is ever heard by filmgoers. The few words that do reach the audience, in the form of the characters' dialogue, are, according to Robert McKee, best left to last in the writing process. In this book, McKee puts into book form what he has been teaching screenwriters for years in his seminar on story structure, which is considered by many to be a prerequisite to the film biz. Legions of writers flock to Hollywood in search of easy money, calculating the best way to get rich quick. This book is not for them. McKee is passionate about the art of screenwriting. No one needs yet another recipe book on how to reheat Hollywood leftovers, he writes. We need a rediscovery of the underlying tenets of our art, the guiding principles that liberate talent. Story is a true path to just such a rediscovery. In it, McKee offers so much sound advice, drawing from sources as wide ranging as Aristotle and Casablanca, Stanislavski and Chinatown, that it is impossible not to come away feeling immeasurably better equipped to write a screenplay and infinitely more inspired to write a brilliant one |
| Analysis |
ADAPTATIONS |
|
ALIEN (UK, Ridley Scott, 1979) |
|
AUDIENCES |
|
CASABLANCA (US, Michael Curtiz, 1942) |
|
CHINATOWN (US, Roman Polanski, 1974) |
|
DIALOGUE |
|
ENDINGS OF FILMS |
|
LOVE STORY (US, Arthur Hiller, 1970) |
|
SASOM I EN SPEGEL (SW, Ingmar Bergman, 1961) |
|
SCRIPTWRITING |
| Notes |
Originally published: 1998 |
| Bibliography |
Includes bibliographical references (pages 421-422), filmography (pages 423-455) and index |
| Notes |
Originally published 1998 |
| Subject |
Motion picture authorship -- Technique.
|
|
Motion picture authorship.
|
|
Motion picture plays -- Technique.
|
| ISBN |
0413715604 (paperback) |
|
9780413715609 (paperback) |
|
