Description |
1 online resource (ix, 325 pages) : illustrations |
Contents |
Part I. Establishing shot: definition and history. 1. Introduction: What is the audience effect? -- 2. Excavating the audience effect: precursors in the history of film theory -- Part II. Long shot: types of collective viewing. Introductory notes -- 3. Quiet-attentive viewing: toward a typology of collective spectatorship, part I -- 4. Expressive-diverted viewing: toward a typology of collective spectatorship, part II -- Part III. Medium shot: on the cinema's affective audience effects. 5. I, you, and we: investigating the cinema's affective audience interrelations -- 6. Feeling close: conceptualizing the cinema's affective we-experience -- Part IV. Close-up: case studies of affective audience effects. 7. Chuckle, chortle, cackle: a phenomenology of cinematic laughter -- 8. When viewers silently weep: a phenomenology of cinematic tears -- 9. Trouble every day: a phenomenology of cinematic anger -- Part V. fade-out: conclusion. 10. The audience effect in the cinema and beyond |
Summary |
In this innovative book, Julian Hanich explores the subjectively lived experience of watching films together, to discover a fuller understanding of cinema as an art form and a social institution that matters to millions of people worldwide |
Bibliography |
Includes bibliographical references (pages 293-312) and indexes |
Notes |
Print version record |
Subject |
Motion picture audiences.
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Motion picture audiences -- Psychology
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Motion picture audiences -- Social aspects
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PSYCHOLOGY -- Social Psychology.
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HISTORY -- Middle East -- General.
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Media Studies.
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Motion picture audiences
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Motion picture audiences -- Psychology
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Media Studies.
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Form |
Electronic book
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ISBN |
9781474414968 |
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1474414966 |
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9781474414975 |
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1474414974 |
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