| Description |
1 online resource (x, 309 pages) : illustrations |
| Contents |
Acknowledgments -- List of Illustrations -- PART ONE: PROLOGUE -- 1. Beheading the Moor (Zacatecas, 1996) -- 2. Reading the Mask (Cuetzalan, 1988) -- PART TWO: SPAIN, 1150-1521 -- 3. A Royal Wedding (Lleida, 1150) -- 4. A Medley of Battles (Zaragoza, 1286 -1414) -- 5. A Martyrdom with Hobby Horses (Barcelona, 1424) -- 6. A Game of Canes (Jaén, 1462) -- PART THREE: MEXICO, 1321-1521 -- 7. The Fields of the Wars of Flowers -- 8. The Festival of the Sweeping of the Roads -- 9. The Festival of the Raising of the Banners -- 10. The Festival of the Flaying of Men |
|
11. The Dance of the Emperor Motecuzoma -- PART FOUR: MEXICO, 1521-1600 -- 12. The Conquest of Mexico (1524 -1536) -- 13. The Conquest of Rhodes (Mexico City, 1539) -- 14. The Conquest of Jerusalem (Tlaxcala, 1539) -- 15. The Tensions of Empire (Mexico City, 1565 -1595) -- 16. The Travels of Alonso Ponce (New Spain, 1584 -1589) -- 17. The Conquest of New Mexico (1598) -- PART FIVE: SPAIN, 1521-1600 -- 18. Touring Aztecs (1522-1529) -- 19. Royal Entries (Toledo, 1533, and Naples, 1543) -- 20. Great Balls of Fire (Trent, 1549) -- 21. Noble Fantasies (Binche, 1549, and Rouen, 1550) |
|
22. Fêted Dreams of Peace (Andalusia, 1561-1571) -- 23. Changing Tastes (Daroca to Valencia, 1585 -1586) -- 24. Gilded Indians (1521-1600) -- PART SIX: EPILOGUE -- 25. Dancing with Malinche (New Mexico and Oaxaca, 1993 -1994) -- Notes -- Bibliography -- Index |
| Summary |
Annotation In villages and towns across Spain and its former New World colonies, local performers stage mock battles between Spanish Christians and Moors or Aztecs that range from brief sword dances to massive street theatre lasting several days. The festival tradition officially celebrates the triumph of Spanish Catholicism over its enemies, yet this does not explain its persistence for more than five hundred years nor its widespread diffusion. In this insightful book, Max Harris seeks to understand Mexicans' "puzzling and enduring passion" for festivals of moros y cristianos. He begins by tracing the performances' roots in medieval Spain and showing how they came to be superimposed on the mock battles that had been a part of pre-contact Aztec calendar rituals. Then using James Scott's distinction between "public" and "hidden transcripts," he reveals how, in the hands of folk and indigenous performers, these spectacles of conquest became prophecies of the eventual reconquest of Mexico by the defeated Aztec peoples. Even today, as lively descriptions of current festivals make plain, they remain a remarkably sophisticated vehicle for the communal expression of dissent |
| Bibliography |
Includes bibliographical references (pages 281-298) and index |
| Notes |
Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002. http://purl.oclc.org/DLF/benchrepro0212 MiAaHDL |
|
Print version record |
|
digitized 2010 HathiTrust Digital Library committed to preserve pda MiAaHDL |
| Subject |
Moros y Cristianos Festival -- Mexico
|
|
Moros y Cristianos Festival -- Spain
|
|
SOCIAL SCIENCE -- Holidays (non-religious)
|
|
SOCIAL SCIENCE -- Anthropology -- Cultural.
|
|
Moros y Cristianos Festival
|
|
Moros y cristianos.
|
|
Mexico
|
|
Spain
|
| Form |
Electronic book
|
| LC no. |
99057705 |
| ISBN |
0292798318 |
|
9780292798311 |
|
0292731329 |
|
9780292731325 |
|
