Violence, honor, and manhood -- Taidong : the mountains and beyond -- Fire and fury -- Tales from the jianghu -- Wine, women, and song -- Conclusion : faces of the gods
Summary
Demon warrior puppets, sword-wielding Taoist priests, spirit mediums lacerating their bodies with spikes and blades-these are among the most dramatic images in Chinese religion. Usually linked to the propitiation of plague gods and the worship of popular military deities, such ritual practices have an obvious but previously unexamined kinship with the traditional Chinese martial arts. The long and durable history of martial arts iconography and ritual in Chinese religion suggests something far deeper than mere historical coincidence. This work argues that martial arts gestures and movements are so deeply embedded in the ritual repertoire in part because they iconify masculine qualities of violence, aggressivity, and physical prowess, the implicit core of Chinese patriliny and patriarchy
Bibliography
Includes bibliographical references (pages 255-268) and index
Notes
Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002. http://purl.oclc.org/DLF/benchrepro0212 MiAaHDL
English
Print version record
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