| Description |
1 online resource (x, 114 pages) |
| Series |
Filmmakers and their soundtracks |
|
Filmmakers and their soundtracks.
|
| Contents |
Chapter 1. The Sound World of David Lynch -- Chapter 2. Sound Design -- Chapter 3. Diegetic Music -- Chapter 4. Non-Diegetic Music -- Chapter 5. Voice |
| Summary |
Director David Lynch is best known for films that channel the uncanny and the weird into a distinct "Lynchian" aesthetic, in which sound and music play a key role: Lynch not only writes his intended sounds into the script but also often takes on the role of creating the sounds himself. This concise study explores what makes Lynch's sonic imprint distinct, breaking down three different sound styles that create Lynch's sound aesthetic across his films. Showing how sound offers new insights into the aesthetic and narrative work of Lynch's filmmaking, this book highlights new dimensions in the work of a key American auteur and deconstructs the process of building a unique sound world |
| Notes |
"Routledge Focus." |
| Bibliography |
Includes bibliographical references and index |
| Notes |
Reba Wissner is Assistant Professor of Musicology at Columbus State University |
|
Online resource; title from PDF title page (Taylor & Francis, viewed April 15, 2024) |
| Subject |
Lynch, David, 1946-2025 -- Criticism and interpretation
|
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Sound in motion pictures.
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Film soundtracks.
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sound tracks.
|
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MUSIC / General
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MUSIC / History & Criticism
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PERFORMING ARTS / Film & Video / Direction & Production
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| Genre/Form |
Film criticism.
|
|
Critiques cinématographiques.
|
| Form |
Electronic book
|
| ISBN |
9781003265450 |
|
1003265456 |
|
9781040095393 |
|
1040095399 |
|
1040095410 |
|
9781040095416 |
|
