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Author Farebrother, Rachel

Title The collage aesthetic in the Harlem Renaissance / Rachel Farebrother
Published Farnham, England ; Burlington, VT : Ashgate, ©2009

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Description 1 online resource (x, 219 pages) : illustrations
Contents Boasian anthropology and the Harlem Renaissance -- "[F]lung out in a jagged, uneven but progressive pattern": "culture-citizenship" in The new negro -- "[A]dventuring through the pieces of a still unorganized mosaic": Jean Toomer's collage aesthetic in Cane -- "Think[ing] in hieroglyphics": Zora Neale Hurston's cross-cultural aesthetic -- Reading Zora Neale Hurston's textual synthesis in Jonah's gourd vine and Moses, man of the mountain
Summary "Beginning with a subtle and persuasive analysis of the cultural context, Farebrother examines collage in modernist and Harlem Renaissance figurative art and unearths the collage sensibility attendant in Franz Boas's anthropology. This strategy makes explicit the formal choices of Harlem Renaissance writers by examining them in light of African American vernacular culture and early twentieth-century discourses of anthropology, cultural nationalism and international modernism. At the same time, attention to the politics of form in such texts as Toomer's Cane, Locke's The New Negro and selected works by Hurston reveals that the production of analogies, juxtapositions, frictions and distinctions on the page has aesthetic, historical and political implications. Why did these African American writers adopt collage form during the Harlem Renaissance? What did it allow them to articulate? These are among the questions Farebrother poses as she strives for a middle ground between critics who view the Harlem Renaissance as a distinctive, and necessarily subversive, kind of modernism and those who foreground the cooperative nature of interracial creative work during the period. A key feature of her project is her exploration of neglected connections between Euro-American modernism and the Harlem Renaissance, a journey she negotiates while never losing sight of the particularity of African American experience. Ambitious and wide-ranging, Rachel Farebrother's book offers us a fresh lens through which to view this crucial moment in American culture."--Jacket
Bibliography Includes bibliographical references (pages 195-212) and index
Notes Print version record
Subject Collage Musikgruppe
American literature -- African American authors -- History and criticism
American literature -- 20th century -- History and criticism
African American aesthetics.
Literature and anthropology -- United States -- History -- 20th century
African Americans -- Intellectual life -- 20th century
Modernism (Literature) -- United States
African Americans in literature.
Harlem Renaissance.
Harlem Renaissance.
African American aesthetics
African Americans in literature
African Americans -- Intellectual life
American literature
American literature -- African American authors
Harlem Renaissance
Literature and anthropology
Modernism (Literature)
Harlem renaissance
Collage
Harlem Renaissance -- littérature afro-américaine -- Etats-Unis.
Collage.
United States
Genre/Form Electronic books
Criticism, interpretation, etc.
History
Form Electronic book
ISBN 1351892584
9781351892582
9781315240619
1315240610