pt. 1. Modernism and modernity -- pt. 2. Documentary and proletarian pastoral -- pt. 3. History and the historical novel -- pt. 4. Thrillers and dystopias
Summary
This study approaches the fiction of the 1930s through critical debates about genre, language and history, setting these in their original context, and discussing the generic forms most favoured by novelists at the time
Bibliography
Includes bibliographical references (pages 169-173) and index
Notes
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English
Print version record
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