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Book Cover
E-book
Author Samolsky, Russell

Title Apocalyptic futures : marked bodies and the violence of the text in Kafka, Conrad, and Coetzee / Russell Samolsky
Edition 1st ed
Published New York : Fordham University Press, 2011

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Description 1 online resource (x, 237 pages) : illustrations
Contents Introduction: Writing Violence: Marked Bodies and Retroactive Signs -- 1. Metaleptic Machines: Kafka, Kabbalah, Shoah -- 2. Apocalyptic Futures: Heart of Darkness, Embodiment, and African Genocide -- 3. The Body in Ruins: Torture, Allegory, and Materiality in J.M. Coetzee's Waiting for the Barbarians -- Coda: The Time of Inscription: Maus and the Apocalypse of Number
Introduction: writing violence : marked bodies and retroactive signs -- Metaleptic machines : Kafka, Kabbalah, Shoah -- Kafka and Shoah -- Kafka and Kabbalah -- Inscriptional machines -- Apocalyptic futures : Heart of darkness, embodiment, and African genocide -- Heart of darkness and African genocide -- The genealogy of apocalypse -- Delayed decodings -- Marlow and messianism -- The body in ruins : torture, allegory, and materiality in J.M. Coetzee's Waiting for the barbarians -- The politics of the eternal present -- Torture and allegory -- The body in ruins -- The materiality of the letter -- Mourning the bones -- Coda : the time of inscription: Maus and the apocalypse of number
Summary "This book sets out to articulate a new theory and textual practice of the relation between literary reception and embodiment by arguing that certain modern literary texts have apocalyptic futures. Rather than claim that great writers have clairvoyant powers, it examines the ways in which a text incorporates an apocalyptic event--and marked or mutilated bodies--into its future reception. The book is thus concerned with the way in which apocalyptic works solicit their future receptions. Deploying the double register of "marks" to show how a text both codes and targets mutilated bodies, the book focuses on how these bodies are incorporated into texts by Kafka, Conrad, Coetzee, and Spiegelman. Situating "In the Penal Colony" in relation to the Holocaust, Heart of Darkness to the Rwandan genocide, and Waiting for the Barbarians to the revelations of torture in apartheid South Africa and contemporary Iraq, it argues for the ethical and political importance of reading these literary works' "apocalyptic futures" in our own urgent and perilous situations. The book concludes with a reading of Spiegelman's Maus that offers a messianic counter-time to the law of apocalyptic incorporation."--Publisher's abstract
Bibliography Includes bibliographical references and index
Subject Kafka, Franz, 1883-1924 -- Criticism and interpretation
Conrad, Joseph, 1857-1924 -- Criticism and interpretation
Coetzee, J. M., 1940- -- Criticism and interpretation
Spiegelman, Art -- Criticism and interpretation
SUBJECT Spiegelman, Art -- Criticism and interpretation
Coetzee, J. M., 1940- -- Criticism and interpretation
Conrad, Joseph, 1857-1924 -- Criticism and interpretation
Kafka, Franz, 1883-1924 -- Criticism and interpretation
Coetzee, J. M., 1940- fast
Conrad, Joseph, 1857-1924 fast
Kafka, Franz, 1883-1924 fast
Spiegelman, Art fast
Coetzee, J. M. 1940- Waiting for the barbarians gnd
Conrad, Joseph 1857-1924 Heart of darkness gnd
Kafka, Franz 1883-1924 In der Strafkolonie gnd
Kafka, Franz 1883-1924 gnd
Subject Fiction -- 20th century -- History and criticism.
Ethics in literature.
Apocalyptic literature.
Prophecy in literature.
Violence in literature.
Mimesis in literature.
BIOGRAPHY & AUTOBIOGRAPHY -- Literary.
LITERARY CRITICISM -- European -- General.
Apocalyptic literature
Ethics in literature
Fiction
Mimesis in literature
Prophecy in literature
Violence in literature
Gewalt Motiv
Weltuntergang Motiv
Literatur
Zukunft Motiv
Genre/Form Electronic books
Criticism, interpretation, etc.
Form Electronic book
LC no. 2011032058
ISBN 9780823241514
9780823241248
0823241246
0823241513
9780823234813
0823234819
Other Titles Marked bodies and the violence of the text in Kafka, Conrad, and Coetzee
Violence of the text in Kafka, Conrad, and Coetzee