| Description |
1 online resource (233 p.) |
| Contents |
Cover -- Half Title -- Title Page -- Copyright Page -- Dedication -- Table of Contents -- List of Figures -- List of Tables -- Foreword -- Notes -- Acknowledgments -- Note -- The Contributors -- How to Listen and watch the Prelude and Interludes -- Prelude -- 1 Contemporary Issues of Continuity and Change for Vulnerable Performance Traditions -- Why Do Music Genres Become Vulnerable? -- Keeping It Going: Preservation, Maintenance, Revitalization, Revival -- Music Sustainability Research as Activism -- Essentializing Tendencies: Holding Particular Forms of Tradition High |
|
Giving Old Songs a "New Look" (Ó Laoire) -- Same But Different -- Chapter Overview -- Notes -- References -- Interlude Yarlpurru-Rlangu Yawulyu: 'Women's Songs About the Two Age Brothers' -- Note -- 2 'So They Can Keep It and Carry It On' Shifting Modes of Song Transmission and Learning of Warlpiri Women's Yawulyu -- Indigenous Australian Song Transmission in Contexts of Vulnerability -- Historical Shifts to Warlpiri Ceremonial Life and Contemporary Concerns -- Intergenerational Transmission of Yawulyu -- Shifts to Structures of Daily Lives and a Decline in Frequency of Ceremonial Events |
|
Shifts to Learning Styles Away From Oral Transmission -- Songs as the Voices of the Ancestors -- Authority of Elders and Resistance to Change -- Conclusion: Southern Ngaliya Dance Camps as Spaces to for Warlpiri Women to Direct the Future of Yawulyu -- Acknowledgements -- Notes -- References -- Interlude Láánsas Treséér Padáás -- Original Notes to Full Audio File By Ian Russell Smith (Square Parentheses Added) -- References -- 3 Láánsas Parmi Napooy Squaring the Circle On the "Difficult" Portuguese Burgher Lancers -- Portuguese Burgher Perspectives On a "Difficult" and Obscure Dance |
|
Trinkumáálpa Láánsas Bátiklopa Káfriinha -- Regional Associations and Varied Histories -- Comparison With Káfriinha -- A Comparison of Láánsas Over 50 Years -- Láánsas as a Creolised Quadrille and Some Structural Aspects -- Conclusion: the Future of Láánsas and Research About It -- Acknowledgments -- Notes -- References -- Appendix 3.1 The Third Part of Láánsas -- Full Description of Dance Movements -- Interlude In Meditation (2004), for Erhu and Electronics -- Notes -- 4 Liturgical Latin in Lewisham Old Rite Music as a Means of Transcultural Religious Identification -- In the Beginning |
|
The New Order -- The Resistance -- The Empire Strikes Back -- In Meditation -- Conclusion -- Notes -- References -- Interlude Theyyam Exhibition: Everyday Life: A Repertoire of Ritual and Performance -- Note -- 5 Performance as Exhibition Sonic and Visual Response to the Theyyam Festival -- Introduction -- The Theyyam Festival -- Theyyam of Keezhara -- Spirit Possession and Caste Marginalization -- Theyyam Exhibitions -- Creative Response and Change -- Conclusion -- Notes -- References -- Interlude Kodava Song Before and Beyond the Synecdoche |
| Summary |
Supporting Vulnerable Performance Traditions: Keeping it Going in Contexts of Continuity and Change explores endangered forms of performance from across the world, and the aspirations of practitioners, community members and researchers to keep these traditions going |
| Notes |
Description based upon print version of record |
|
6 'Who Do You Not See Here'? (But What Might You Hear?) Synecdochic Maintenance of Culture in Kodava Song John Napier |
| Subject |
Burghers (Sri Lankan people) -- Sri Lanka -- Batticaloa -- Music -- History and criticism
|
|
Cultural property -- Protection.
|
|
Folk music -- Social aspects -- Australia -- New South Wales -- History
|
|
Folk songs, Irish -- History and criticism
|
|
Folk songs, Kodagu -- Social aspects -- India -- Karnataka
|
|
Indigenous peoples -- Music -- History and criticism
|
|
Indigenous peoples -- Social life and customs.
|
|
Intangible property.
|
|
Sustainability.
|
|
Theyyam (Dance) -- Social aspects -- India -- Kerala
|
| Form |
Electronic book
|
| Author |
White-Radhakrishnan, Mahesh
|
| ISBN |
9781040115459 |
|
1040115454 |
|
