German and Jewish -- Wagner and German Jewish Composers in the Nineteenth Century -- An Age of Liberalism, Brahms and the Chronicler Hanslick -- Mahler and His Chronicler Julius Korngold -- The Jugendstil School of Schoenberg, Schreker, Zemlinsky and Weigl -- A Musical Migration -- Hey! We're Alive! -- A Question of Musical Potency -- The Resolute Romantics -- Between Hell and Purgatory -- Exile and Worse -- Restitution -- Epilogue -- Notes
Summary
When National Socialism arrived in Germany in 1933, Jews dominated music more than virtually any other sector, making it the most important cultural front in the Nazi fight for German identity. This groundbreaking book looks at the Jewish composers and musicians banned by the Third Reich and the consequences for music throughout the rest of the 20th century
Bibliography
Includes bibliographical references (pages 307-334) and index
