| Description |
1 online resource (xi, 238 pages) |
| Series |
Music/culture |
|
Music/culture.
|
| Contents |
Mother Ireland and the Queen of Irish Fiddlers : Women Musicians and the Nation in Early Twentieth-Century Ireland -- The Not-So-Strange Disappearance of Treasa Ní Ailpín (Teresa Halpin) : Class, Gender, and Musical Style in Early Twentieth-Century Ireland -- Biography, Musical Life, and Gender : Julia Clifford as a Woman Traditional Musician -- Subjectivity, Flow, and "the Music Itself " -- Playing Right and the Right to Play : (Dis)identification Tactics Among Queer Musicians and Musicians of Color |
| Summary |
"A growing number of LGBTQ, female, and non-white individuals have become established in Irish traditional music. This is the first book to examine diversity in Irish traditional music, highlighting the possibility of an expanded genre"-- Provided by publisher |
| Bibliography |
Includes bibliographical references and index |
| Notes |
Online resource; title from digital title page (viewed on March 31, 2020) |
| Subject |
Music -- Social aspects -- Ireland
|
|
Homosexuality and music -- Ireland
|
|
Music and race -- Ireland
|
|
Women musicians -- Ireland
|
|
Nationalism in music.
|
|
Homosexuality and music
|
|
Music and race
|
|
Music -- Social aspects
|
|
Nationalism in music
|
|
Women musicians
|
|
Ireland
|
| Form |
Electronic book
|
| LC no. |
2019049822 |
| ISBN |
9780819579294 |
|
0819579297 |
|
