Description |
1 online resource (xxiv, 396 pages, 40 unnumbered pages of plates) : illustrations |
Series |
Sinica Leidensia, 0169-9563 ; v. 77 |
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Sinica Leidensia ; v. 77
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Contents |
Longmian Chan and the foundation of Li Gonglin's Buddhist learning -- Longmian Mountain Villa as earthly paradise -- Li Gonglin, an early Chinese Chan painter -- Li Gonglin's White lotus society picture -- White lotus society picture and Li Gonglin's pure land faith |
Summary |
Despite Li Gonglin's (ca. 1049-1106) deep faith in Buddhism and the large number of recorded and extant Buddhist paintings associated with or ascribed to this great painter, twentieth century scholarship on Li Gonglin has focused primarily on his literatus identity and Confucian art oeuvres. This book departs from this traditional view to establish Li Gonglin's importance in Chinese Buddhist art history through both the local Longmian Chan and the larger Northern Song religious contexts. It offers a fresh understanding of the impact the intermingling of Tiantai, Pure Land, Huayan and Chan philosophies and practices had on Li Gonglin's faith and art. Painting Buddhist subjects to Li Gonglin was an expression of faith |
Bibliography |
Includes bibliographical references (pages 357-367) and index |
Notes |
Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002. http://purl.oclc.org/DLF/benchrepro0212 MiAaHDL |
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Print version record |
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digitized 2010 HathiTrust Digital Library committed to preserve pda MiAaHDL |
Subject |
Li, Gonglin, 1049-1106 -- Criticism and interpretation
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Li, Gonglin, 1049-1106 |
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Ink painting, Chinese -- Song-Yuan dynasties, 960-1368.
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Buddhist art and symbolism -- China
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ART -- History -- General.
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Buddhist art and symbolism
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Ink painting, Chinese -- Song-Yuan dynasties
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China
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Genre/Form |
Criticism, interpretation, etc.
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Form |
Electronic book
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ISBN |
9789047421948 |
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9047421949 |
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