| Description |
1 online resource (345 pages) |
| Contents |
Cover Page -- Title Page -- Copyright Page -- Dedication -- Contents -- Introduction: Art, Photography, and the Consumption of Identity -- Chapter 1. Artist and Educator: Criticizing the American Family Ideal through 35mm Photography -- Chapter 2. Documents of Manufactured Experience: Appropriation and the Photogram in the 1960s -- Chapter 3. The Photographic Object: Heinecken's Materialism -- Chapter 4. Magazine Work: American Disaster and Identity -- Chapter 5. Art, Pornography, Painting: Heinecken's Relationship to Feminism |
|
Chapter 6. The Polaroid Experience: Instantaneous Photography and the Performance of Identity -- Chapter 7. Surrealism on TV: Ronald Reagan and the Newscasters -- Chapter 8. Appropriation in the 1980s and 1990s: History and the Body at the End of the Analog Era -- Coda: Heinecken's Significance -- Acknowledgments -- Notes -- Index -- About the Author |
| Summary |
"From the 1960s through the late 1990s, Robert Heinecken's controversial art continually challenged inherited ideas around consumerism, the facticity of reportage, and visual culture's relationship to gender and identity politics. Author Matthew Biro presents an exhaustive look at Heinecken's life and art in the first book-length study dedicated to the artist"-- Provided by publisher |
| Subject |
Heinecken, Robert, 1931-2006 -- Criticism and interpretation
|
| SUBJECT |
Heinecken, Robert, 1931-2006 fast |
| Subject |
Appropriation (Art) -- United States
|
|
ART -- Individual Artists -- General.
|
|
Appropriation (Art)
|
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United States
|
| Genre/Form |
Criticism, interpretation, etc.
|
| Form |
Electronic book
|
| ISBN |
1452966710 |
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9781452966717 |
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