Introduction -- Aesthetics, politics, and the early American novel -- Political deceptions and sensory delusions -- The right to deception -- Visual artifice -- Conclusion
Summary
Schweighauser argues that deception in and through early American art constitutes a comment on eighteenth-century debates concerning the nature and function of art as much as it responds to shifts in social and political organization
Bibliography
Includes bibliographical references and index
Notes
Online resource; title from PDF title page (EBSCO, viewed August 9, 2016)