Description |
1 online resource (xv, 196 pages) : illustrations |
Series |
California studies in 19th century music ; 10 |
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California studies in 19th century music ; 10.
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Contents |
1. Restoration and decay. Restoration. Imagining communities. Precious remains -- 2. Bibliophilia. Reforming the face. The face of Saint Gregory. Voices in print -- 3. Gregorian hands. From print to script. Making facsimiles. Getting real. Tradition, translation, memory. Science, technology, power -- 4. Writing, reading, singing. La methode Benedictine. Dom Pothier's ear. Dom Mocquereau's hands. Hieroglyphs. Phonography -- Postlude: legitimate imprints -- Past perfected -- Atypical editions |
Summary |
Bergeron follows the technological development of the Gregorian restoration over a seventy-year period as it passed from the private performances of a monastic choir into the public commodities of printed books, photographs, and Gramophone records. Along the way she discusses such issues as architectural restoration and the modern history of typography |
Bibliography |
Includes bibliographical references (pages 183-192) and index |
Notes |
English |
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Print version record |
Subject |
Abbaye Saint-Pierre de Solesmes.
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Abbaye Saint-Pierre de Solesmes |
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Kloster Solesmes, Sarthe |
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Solesmes / Kloster. |
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Gregorian chants -- History and criticism.
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RELIGION -- Christian Rituals & Practice -- General.
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MUSIC / Genres & Styles / Classical
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Gregorian chants
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Edition
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Erneuerung
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Gregorianischer Gesang
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Reformbewegung
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Rezeption
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Gregoriaanse muziek.
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Abbaye de Solesmes.
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Music.
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Music, Dance, Drama & Film.
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Music History & Criticism, Vocal.
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Genre/Form |
Criticism, interpretation, etc.
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Form |
Electronic book
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ISBN |
9780520919617 |
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0520919610 |
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0585176388 |
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9780585176383 |
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