| Description |
1 online resource (218 pages) : illustrations |
| Series |
Faux titre, 0167-9392 ; 325 |
|
Faux titre ; no. 325.
|
| Contents |
Acknowledgements; Introduction; 1 The Theory and Practice of Film Adaptation; 2 Renoir (1934): Framing Emma; 3 Minnelli (1949): Hollywood Rediscovers Emma; 4 Chabrol (1991): Keeping the Faith; 5 Fywell (2000): Sex in the Living Room; 6 Adaptation and its Avatars; Conclusion; Appendix A Synopsis of the Novel; Appendix B Filmography; Appendix C Glossary of Film Terms; Bibliography; Index |
| Summary |
Some eighteen film directors from France to the United States, Germany to India, have applied themselves to the task of adapting Madame Bovary to the screen. Why has Flaubert's 1857 classic novel been so popular with filmmakers? What challenges have they had to meet? What ideologies do their adaptations serve? Madame Bovary at the Movies seeks to answer these questions, avoiding value judgments based on the notion of fidelity to the novel. In-depth analyses are reserved for the studio films of Renoir, Minnelli and Chabrol and the small-screen adaptation of Fywell. As the first book-length exam |
| Bibliography |
Includes bibliographical references, filmography, and index |
| Notes |
English |
|
Print version record |
| Subject |
Flaubert, Gustave, 1821-1880 -- Film adaptations
|
|
Flaubert, Gustave, 1821-1880. Madame Bovary.
|
| SUBJECT |
Flaubert, Gustave, 1821-1880 fast |
|
Madame Bovary (Flaubert, Gustave) fast |
| Subject |
Bovary, Emma (Fictitious character) -- In motion pictures
|
| Genre/Form |
Film adaptations
|
| Form |
Electronic book
|
| ISBN |
9781441601056 |
|
9789401206648 |
|
9401206643 |
|
1441601058 |
|
