Introduction -- Creating diaspora: Caribbean migrant literature in England and North America, 1930s-1960s -- Migrant bodies, scars and tattoos: art as terror and transformation in Edwidge Danticat's Brother I'm dying and The dew breaker -- "Two places can make children": metaphysics, authorship and the borders of diaspora -- Rethinking a Caribbean literary economy: Jamaica Kincaid's My brother and Beryl Gilroy's Frangipani House as remittance texts -- "No abiding city"?: theorizing deportation in Caribbean migrant fiction -- Afterword: on the edge of the world