List of Illustrations; Acknowledgments; Introduction; 1. A History of Description, a Foundling; 2. Traveling Spaces; 3. Seeing Things; 4. Writing Things; 5. Implied Spaces; 6. Worlds of Goods; 7. Arranging Things; 8. The Foundling as Heir; Afterword: Humphry Repton; Notes; Bibliography; Index
Summary
Virginia Woolf once commented that the central image in Robinson Crusoe is an object-a large earthenware pot. Woolf and other critics pointed out that early modern prose is full of things but bare of setting and description. Explaining how the empty, unvisualized spaces of such writings were transformed into the elaborate landscapes and richly upholstered interiors of the Victorian novel, Cynthia Sundberg Wall argues that the shift involved not just literary representation but an evolution in cultural perception. In The Prose of Things, Wall analyzes literary works in the contexts of natural sc
Bibliography
Includes bibliographical references (pages 269-301) and index