Description |
1 online resource (viii, 171 pages) : illustrations |
Summary |
"Andrew Utterson's unique study charts the beginnings of digital cinema, addressing both how filmmakers used new digital technologies and how attitudes and anxieties about the rise of the computer were represented in films such as Lang's Desk Set, Godard's Alphaville, Kubrick's 2001: A Space Odyssey and Crichton's Westworld."--Bloomsbury publishing |
Notes |
Compliant with Level AA of the Web Content Accessibility Guidelines. Content is displayed as HTML full text which can easily be resized or read with assistive technology, with mark-up that allows screen readers and keyboard-only users to navigate easily |
Bibliography |
Includes filmography (pages [153]-154) |
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Includes bibliographical references (pages [155]-166) and index |
Notes |
Introduction.- Computers in the Workplace: IBM and the 'Electronic Brain' of Desk Set (1957).- From the Scrap-Heap to the Science Lab: The Pioneers of Computer Animation.- Tarzan vs. IBM: Humans and Computers in Alphaville (1965).- Digital Harmony: The Art and Technology Movement.- 'I'm Sorry Dave, I'm Afraid I Can't Do That': Artificial Intelligence in 2001: A Space Odyssey (1968).- Expanded Consciousness, Expanded Cinema: A Techno-Utopian Counterculture.- To See Ourselves as Androids See Us: The Pixel Perspectives of Westworld (1973).- Conclusion.- Filmography.- Bibliography.- Index |
Subject |
Technology in motion pictures -- History -- 20th century
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Digital cinematography -- History -- 20th century
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Digital cinematography.
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Technology in motion pictures.
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Genre/Form |
History.
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Form |
Electronic book
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Author |
British Film Institute.
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ISBN |
9781838710323 |
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1838710329 |
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