Introduction: Spectatorship, affect, and representation -- Moral spectatorship ; rethinking identification in film theory -- The (deaf) woman's film and the quiet revolution in film sound : on projection, incorporation, and voice -- "A child is being beaten" : disorders of authorship, agency, and affect in facilitated communication -- Conclusion: On empathy and moral spectatorship
Summary
Lisa Cartwright contributes to feminist film theory by developing a new psychoanalytic theory of spectatorship and human subjectivity
Bibliography
Includes bibliographical references (pages 255-280) and index
Notes
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English
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