| Description |
1 online resource (200 pages) |
| Series |
Modern Czech classics |
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Modern Czech classics.
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| Contents |
Cover -- Contents -- 1. The Group of Writers Around the Půlnoc Series (1949-1955): a Specific Example of Underground Cultural Activities -- 2. Underground and "Under-the-ground" -- 3. Charter 77 and the Underground -- 4. Ideological Orientation and Political Views and Standpoints of Representatives of Czech Undergroung Culture, 1969-1989 (Underground and Dissidence -- Allies or Enemies?) -- 5. The Theme of "Apocalypse" as a Key Building Block of Underground Literature During the Period of "Normalization" -- 6. Exploring Modern Art: Czech Underground Rock Musicians |
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7. The Types and Functions of Samizdat Publications in Czechoslovakia, 1948-1989 -- 8. Three Examples of a Variety of Relations Between Czech Samizdat and "Tamizdat" Book Production of the 1970s and 1980s -- 9. My Itinerary Has Been Monotonous for Quite a While: Magor's Swan Songs -- 10. Report on the Third Czech Musical Revival by Ivan Martin Jirous -- Its Origins, Structure and Function -- Selected Bibliography -- Discography -- Filmography -- Underground Music -- Documentary Films -- Author's Note -- Index of Names |
| Summary |
In this collection of writings produced between 2000 and 2018, the pioneering literary historian of the Czech underground, Martin Machovec, examines the multifarious nature of the underground phenomenon. After devoting considerable attention to the circle surrounding the band The Plastic People of the Universe and their manager, the poet Ivan M. Jirous, Machovec turns outward to examine the broader concept of the underground, comparing the Czech incarnation not only with the movements of its Central and Eastern European neighbors, but also with those in the world at large. In one essay, he reflects on the so-called Pulnoc Editions, which published illegal texts in the darkest days of the late forties and early fifties. In other essays, Machovec examines the relationship between illegal texts published at home (samizdat) and those smuggled out to be published abroad (tamizdat), as well as the range of literature that can be classified as samizdat, drawing attention to movements frequently overlooked by literary critics. In his final, previously unpublished essay, Machovec examines Jirous's "Report on the Third Czech Musical Revival" not as a merely historical document, but as literature itself |
| Bibliography |
Includes bibliographical references and index |
| Notes |
Print version record |
| Subject |
Underground literature -- Czechoslovakia
|
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Czech literature -- 20th century.
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Czech literature
|
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Underground literature
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Czechoslovakia
|
| Form |
Electronic book
|
| ISBN |
9788024641515 |
|
8024641518 |
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