Introduction: becoming visible in neoliberal Bolivia -- Ethnography, governmentality, and urban life -- Urbanism, modernity, and migration in Cochabamba -- Villa Sebastián Pagador and the politics of community -- Performing national culture in the fiesta de San Miguel -- Spectacular violence and citizen security -- Conclusion: theaters of memory and the violence of citizenship
Summary
This study analyzes a popular festival and vigilante lynching, examining them as a form of political spectacle performed by improverished people who want to gain access to the potential benefits of citizenship in a modern city
Bibliography
Includes bibliographical references (pages 239-264) and index
Notes
Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002. http://purl.oclc.org/DLF/benchrepro0212 MiAaHDL
Print version record
digitized 2011 HathiTrust Digital Library committed to preserve pda MiAaHDL