| Description |
1 online resource (xv, 401 pages, 36 unnumbered pages of plates) : illustrations, maps |
| Contents |
""Contents""; ""List of Illustrations, Text Figures, and Maps""; ""Preface""; ""Part One: The Making of Meaning""; ""1. The Allegory of the Church""; ""Part Two: The Early History of Christian Verse Inscriptions""; ""2. Constantine and the Mosaics of Rome""; ""3. Portal Inscriptions, Liminal Transformation, and the Creation of Sacred Space""; ""Part Three: Visions and Voices: Allegorizing the Romanesque Church""; ""4. 'I am the door': Typological Allegory and the Design of the Romanesque Portal""; ""5. The Voice of Allegory: Language and Form in Romanesque Verse Inscriptions"" |
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""6. The Portal as Christ: Personification or Real Presence?""""7. Portal Inscriptions as 'Performatives'""; ""8. Conditional Transcendence: Movement between the Literal and Spiritual Levels of the Allegory of the Church""; ""9. Anagogical Allegory and Imagery: Gate of Heaven, Gate of Life, Fountain of Life""; ""10. Moral Allegory: Admonitory and Pax Portals and the Tympanum of Jaca""; ""11. Visions of Allegory: The Archivolts of Aquitaine""; ""Part Four: Secular Transformations""; ""12. The Search for the New: Politics, Pilgrimage, and Economics""; ""13. Artists and the Pursuit of Fame"" |
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""14. Allegory Undone: Patronage and the Shift to Representational Symbolism""""Catalogue of Romanesque Verse Inscriptions""; ""Notes""; ""Bibliography of Works Cited""; ""Index""; ""A""; ""B""; ""C""; ""D""; ""E""; ""F""; ""G""; ""H""; ""I""; ""J""; ""K""; ""L""; ""M""; ""N""; ""O""; ""P""; ""Q""; ""R""; ""S""; ""T""; ""U""; ""V""; ""W""; ""X""; ""Z""; ""Illustrations"" |
| Summary |
The Allegory of the church is the first full-length study of Romanesque verse inscriptions in the context of church portals and portal sculpture, and is the product of a twenty-year study. Calvin B. Kendall demonstrates how these inscriptions served to express the role of the church building as a concrete allegory of Christ and the Church. Describing them in detail, he traces the history and nature of the changes in allegorical interpretation of the inscriptions until, as medieval assumptions about language and rhetoric changed, they were finally abandoned by Gothic artists |
| Analysis |
Portales románicos Europa |
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Arte crisitano y simbolismo Europa |
| Bibliography |
Includes bibliographical references (pages 355-378) and index |
| Subject |
Doorways, Romanesque -- Europe
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Church doorways -- Europe
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Architectural inscriptions -- Europe
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Inscriptions, Latin -- Europe
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Allegories.
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Christian art and symbolism -- Europe
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allegory (artistic device)
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RELIGION -- Christianity -- General.
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HISTORY -- Medieval.
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Christian art and symbolism
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Allegories
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Architectural inscriptions
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Church doorways
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Doorways, Romanesque
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Inscriptions, Latin
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Inschrift
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Kirchenbau
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Portal
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Kerkgebouwen.
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Portalen.
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Inscripties.
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Latijn.
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Portails romans.
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Architecture romane.
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Portails d'églises.
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Architecture religieuse -- Moyen âge -- Europe.
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Décoration et ornement architecturaux -- Europe.
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Inscriptions -- Europe.
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Europe
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| Genre/Form |
Electronic books
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e-books.
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Allegories
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Allegories.
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Allegories.
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Livres numériques.
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Allégories.
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| Form |
Electronic book
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| ISBN |
9781442680487 |
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1442680482 |
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