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Author Kérchy, Anna

Title Body Texts in the Novels of Angela Carter : Writing from a Corporeagraphic Point of View
Published Lewiston : Edwin Mellen Press, 2008

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Description 1 online resource (363 pages)
Contents Title Page; Table of Contents; Foreword; Acknowledgements; Introduction; Part 1: Theoretical Background for Body-Texts; 1.1. The Semioticization of the Body and the Somatization of the Text in Carter; 1.2. Carter's Grotesque Bodies: Freaks, Ethics and Fun; 1.3. Corporeagraphic Metafiction; 1.4. Autobiografiction: Re-membering the Body and (Re)Incarnating Identity; Part 2. Narrating the Nervous, Bulimic Body-Text. Grotesque Self-(De)composition in The Passion of New Eve; 2.1. A Confusing Space of Transformation; 2.2. A "Male Impersonator's" Writing
2.3. A "Feminist Tract About the Social Creation of Femininity"2.4. A Post-Operative Transsexual Autobiography; 2.5. A Pathological Polyphony: Semioticizing Female Body Dysmorphia; 2.6. Shattering the Looking Glass; Part 3. Corporeal and Textual Performance as Comic Confidence Trick in Nights at the Circus; 3.1. Grotesque Bodies and Carnivalesque Discourses; 3.2. Parodic Bodily Performances, Spectacular Gender Trouble; 3.3. The Tender Irony and Sisterly Burlesque of Textual Performance; 3.4. A Narrative of Laughter and Laughing Narratives
Part 4. Story-telling as Flirtation. Freak Bodies' and Twinned Selves' Vital-Fatal Seductions in Wise Children4.1. Auto-Portraits of a Seductress: (Un)making the Femme Vitale; 4.2. Cosmetic Self-Stylization: Flirting with Signs of Femininity; 4.3. Making Up Our-Selves: Cosmetic Reflections, Communal Identity, and the Ethics of Seduction; 4.4. Spec(tac)ular Seductions and Eyeing Enchantresses; 4.5. The Art of Flirtation: The Allumeuse Body; 4.6. Narrative as Seduction, Story-telling as Flirtation; 4.7. Flirting with the Father, the Bard, and the Empire
4.8. Bifocal Reconsiderations of the Alluring Names of the Authoress4.9. Narrative Slips: Gaping Garments and Feminist Epistemology; Conclusion; Notes; Bibliography; Index
Summary This study fills a major gap of Carter's reception and enters into dialogue with current post-semiotical theories of the embodied subject by virtue of focusing on the dynamics of the meaning-in-process concomitant with the subject-in-process (Kristeva 1985) and the body-in-process. Through a corporeal narratological method--a close-reading interfacing of semioticized bodies in the text and of the somatized text on the body--I decipher how the ideologically disciplined, normativized-neutralized, 'cultural' body and its repressed yet haunting transgressive, corporeal, material 'reality' (are) (de)
Bibliography Includes bibliographical references (pages 325-348) and index
Notes Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002. http://purl.oclc.org/DLF/benchrepro0212 MiAaHDL
English
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digitized 2011 HathiTrust Digital Library committed to preserve pda MiAaHDL
Subject Carter, Angela, 1940-1992 -- Criticism and interpretation
Carter, Angela, 1940-1992 -- Characters -- Women
Carter, Angela, 1940-1992. Passion of new Eve
Carter, Angela, 1940-1992. Nights at the circus
Carter, Angela, 1940-1992. Wise children
SUBJECT Carter, Angela, 1940-1992 fast
Carter, Angela. swd
Wise children (Carter, Angela) fast
Subject Human body in literature.
Grotesque in literature.
Femininity in literature.
Feminism in literature.
LITERARY CRITICISM -- European -- English, Irish, Scottish, Welsh.
Femininity in literature
Feminism in literature
Grotesque in literature
Human body in literature
Women in literature
Körper Motiv
English.
Languages & Literatures.
English Literature.
Genre/Form Criticism, interpretation, etc.
Form Electronic book
ISBN 9780773411609
0773411607