| Description |
xxvii, 216 pages : illustrations ; 23 cm |
| Series |
Conversations with filmmakers series |
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Conversations with filmmakers series.
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| Contents |
Jane Campion / Mark Stiles -- The New Filmmakers / Kristin Williamson -- Getting It in the Cannes / Yvonne Preston -- The Contradictions of Jane Campion, Cannes Winner / Andrew L. Urban -- Campion: Cannes She Do It? / Andrew L. Urban -- Jane Campion / Philippa Hawker -- Campion Goes Out on a Limb - Again / Ruth Hessey -- Two Interviews with Jane Campion / Michel Ciment -- Sugar with the Sweetie / Carla Hall -- A Director Strikes an Intimate Chord / Carrie Rickey -- The Sweet Smell of Success / Donna Yuzwalk -- Angel with an Eccentric Eye / Lynden Barber -- The Red Wigs of Autobiography: Interview with Jane Campion / Michel Ciment -- Jane's Film Career Takes Wing / Katherine Tulich -- Jane Campion Interviewed / Hunter Cordaiy -- Interview with Jane Campion: In the Country of the Hypersensitive / Yves Alion -- How Women Live Their Lives / Heike-Melba Fendel -- Structure Is Essential/Absolutely Crucial/One of the Most Important Things / Andreas Furler |
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Jane Campion / Mark Stiles -- The New Filmmakers / Kristin Williamson -- Getting It in the Cannes / Yvonne Preston -- The Contradictions of Jane Campion, Cannes Winner / Andrew L. Urban -- Campion: Cannes She Do It? / Andrew L. Urban -- Jane Campion / Philippa Hawker -- Campion Goes Out on a Limb - Again / Ruth Hessey -- Two Interviews with Jane Campion / Michel Ciment -- Sugar with the Sweetie / Carla Hall -- A Director Strikes an Intimate Chord / Carrie Rickey --The Sweet Smell of Success / Donna Yuzwalk -- Angel with an Eccentric Eye / Lynden Barber -- The Red Wigs of Autobiography: Interview with Jane Campion / Michel Ciment -- Jane's Film Career Takes Wing / Katherine Tulich -- Jane Campion Interviewed / Hunter Cordaiy -- Interview with Jane Campion: In the Country of the Hypersensitive / Yves Alion -- How Women Live Their Lives / Heike-Melba Fendel -- Structure Is Essential/Absolutely Crucial/One of the Most Important Things / Andreas Furler |
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Jane Campion Is Called the Best Female Director in the World. What's Female Got to Do with it? / Lizzie Franke |
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Jane Campion: Making Friends by Directing Films / Marli Feldvoss -- Interview with Jane Campion: More Barbarian than Aesthete / Thomas Bourguignon and Michel Ciment -- The Piano / Miro Bilbrough -- The Piano: Interview with Jane Campion / Vincent Ostria and Thierry Jousse -- At Cannes, A Fade-in On Women / Sharon Waxman -- Me Jane / Jim Schembri -- Playing It Low-Key / Lynden Barber -- Piano's Good Companions / Andrew L. Urban -- Jane Campion Directs on Instinct / David Sterritt -- Jane Campion's Lunatic Women / Mary Cantwell -- The Arts/Film / Sandra Hall -- Jane Campion, the Classical Romantic / Jay Carr -- Campion Takes on Spielberg at His Game / Vicky Roach -- A Light on the Dark Secrets of Depression / Sue Williams -- A Voyage to Discover Herself / Michel Ciment -- Jane Campion / Rachel Abramowitz -- Portrait of a Director / Kennedy Fraser -- Portrait of a Lady and Her Films / Susan Saccoccia |
|
Jane Campion: Making Friends by Directing Films / Marli Feldvoss -- Interview with Jane Campion: More Barbarian than Aesthete / Thomas Bourguignon and Michel Ciment -- The Piano / Miro Bilbrough -- The Piano: Interview with Jane Campion / Vincent Ostria and Thierry Jousse -- At Cannes, A Fade-in On Women / Sharon Waxman -- Me Jane / Jim Schembri -- Playing It Low-Key / Lynden Barber -- Piano's Good Companions / Andrew L. Urban -- Jane Campion Directs on Instinct / David Sterritt -- Jane Campion's Lunatic Women / Mary Cantwell -- The Arts/Film / Sandra Hall -- Jane Campion, the Classical Romantic / Jay Carr -- Campion Takes on Spielberg at His Game / Vicky Roach --A Light on the Dark Secrets of Depression / Sue Williams -- A Voyage to Discover Herself / Michel Ciment -- Jane Campion / Rachel Abramowitz -- Portrait of a Director / Kennedy Fraser -- Portrait of a Lady and Her Films / Susan Saccoccia |
| Summary |
Jane Campion has gained worldwide admiration and respect for outstanding films that are sharply focused on unusual women |
| Analysis |
ANGEL AT MY TABLE, AN (NZ, Jane Campion, 1990) |
|
CAMPION, JANE |
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GIRL'S OWN STORY, A (AT, Jane Campion, 1983) |
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HUNTER, HOLLY |
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JONES, LAURA |
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KIDMAN, NICOLE |
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PIANO, THE (AT, Jane Campion, 1993) |
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PORTRAIT OF A LADY, THE (UK/US, Jane Campion, 1996) |
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SWEETIE (AT, Jane Campion, 1989) |
| Notes |
Filmography: p. [xxiii]-xxvii |
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Includes bibliographical references (p. xx) and index |
| Bibliography |
Filmography: page [xxiii]-xxvii |
|
Includes bibliographical references (page xx) and index |
| Subject |
Campion, Jane -- Interviews.
|
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Campion, Jane, 1954- -- Interviews.
|
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Motion picture producers and directors -- Australia -- Interviews.
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Motion picture producers and directors -- New Zealand -- Interviews.
|
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Motion pictures -- New Zealand -- History.
|
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Women motion picture producers and directors -- New Zealand -- Interviews.
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| Genre/Form |
Interviews.
|
| Author |
Wexman, Virginia Wright.
|
| LC no. |
98046090 |
| ISBN |
1578060826 |
|
1578060834 |
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