Description |
1 online resource (xiii, 195 pages) |
Series |
Black performance and cultural criticism |
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Black performance and cultural criticism.
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Contents |
Induction : Joice Heth -- On secrecy, magic, and Black women playwrights -- The one-acts -- Exeunt : an illusion |
Summary |
"Secrecy, Magic, and the One-Act Plays of Harlem Renaissance Women Writers seeks to rescue the plays of eight black women, Marita Bonner, Mary P. Burrill, Thelma Duncan, Shirley Graham, Zora Neale Hurston, Georgia Douglas Johnson, May Miller, and Eulalie Spence, from obscurity. This volume is the first book-length treatment to address these plays and their authors exclusively rather than as part of a discussion of other African American playwrights from different eras. It is also one of the few to carry out an extensive discussion of secrecy's role in both literary representation and social interaction. Exploring secrecy from the standpoints of poststructuralist language theory and game theory as well as dramatic performance, Taylor Hagood argues that the secret--a thing visible for its very invisibility--is a fundamental cog in the machinery of society, employed as a tool for both oppression and subversion. The many facets of secrecy have been particularly salient in African American culture, informing everything from the Underground Railroad to the subtle coding of Signifying. Most devastatingly, people on both sides of the color line are caught within a web of secrecy that is the result of centuries of distrust, doubt, and fear, a fact that is powerfully manifest not only in these one-act plays but in the reader's/spectator's interactions with them"--Publisher's description |
Bibliography |
Includes bibliographical references (pages 179-190) and index |
Notes |
Print version record |
Subject |
Bonner, Marita, 1898-1971 -- Criticism and interpretation
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Burrill, Mary, 1884-1946 -- Criticism and interpretation
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Duncan, Thelma Myrtle, 1902-1987 -- Criticism and interpretation
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Du Bois, Shirley Graham, 1896-1977 -- Criticism and interpretation
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Hurston, Zora Neale -- Criticism and interpretation
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Johnson, Georgia Douglas, 1886-1966 -- Criticism and interpretation
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Miller, May, 1899-1995 -- Criticism and interpretation
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Spence, Eulalie, 1894-1981 -- Criticism and interpretation
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SUBJECT |
Spence, Eulalie, 1894-1981 fast |
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Miller, May, 1899-1995 fast |
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Johnson, Georgia Douglas, 1886-1966 fast |
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Hurston, Zora Neale fast |
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Duncan, Thelma Myrtle, 1902-1987 fast |
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Du Bois, Shirley Graham, 1896-1977 fast |
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Burrill, Mary, 1884-1946 fast |
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Bonner, Marita, 1898-1971 fast |
Subject |
American drama -- African American authors -- History and criticism
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American drama -- Women authors -- History and criticism
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American drama -- 20th century -- History and criticism
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African American women dramatists -- 20th century
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One-act plays, American -- History and criticism
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Secrecy in literature.
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Magic in literature.
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Harlem Renaissance.
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Harlem Renaissance.
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African American women dramatists
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American drama
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American drama -- African American authors
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American drama -- Women authors
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Harlem Renaissance
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Magic in literature
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One-act plays, American
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Secrecy in literature
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Genre/Form |
Literary criticism
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Criticism, interpretation, etc.
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Literary criticism.
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Critiques littéraires.
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Form |
Electronic book
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ISBN |
9780814271247 |
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0814271243 |
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0814292194 |
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9780814292198 |
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