Through a close reading of interactive and experimental art works, this text explores how the digital uncanny unsettles concepts of 'self, ' 'affect, ' 'feedback, ' and 'aesthetic experience, ' forcing us to reflect on our relationship with computational media and by extension our relationship to each other and our experience of the world
Bibliography
Includes bibliographical references and index
Notes
Online resource; title from web page (Oxford Scholarship Online, viewed on April 24, 2020)