| Description |
1 online resource (xvi, 253 pages) |
| Contents |
Part PART I BIOGRAPHICAL -- chapter 1 Daniel Heartz (2003), 'Christian Bach in London', in Music in European Capitals: The Galant Style, 1720-1780, New York: W.W. Norton, ppages 883-929. -- chapter 2 Hans-Joachim Schulze (1983), ' When Did the Youngest Bach Son Begin His -- chapter 3 Howard Brofsky (1977), ' J.C. Bach, G.B. Sammartini, and Padre Martini: A Concorso in Milan in 1762', in E.H. Clinkscale and Claire Brook (eds), A Musical Offering: Essays in Honor of Martin Bernstein, New York: Pendragon Press, ppages 63-68. -- chapter 4 Betty Matthews (1975), 'The Davies Sisters, J.C. Bach and the Glass Harmonica', Music & Letters, 56, ppages 150-69. -- chapter 5 Stephan Roe (2000), 'The -- chapter 6 John Small (1985), 'J.C. Bach Goes to Law', The Musical Times, 126, ppages 526-29. -- chapter 7 Stephen Roe (1985), 'J.C. Bach and -- chapter 8 Daniel Heartz (2014), 'Abel, Christian Bach, and Gainsborough', in Artists and Musicians: Portrait Studies from the Rococo to the Revolution, Ann Arbor, MI: Steglein, ppages 168-206. -- part PART II INSTRUMENTAL MUSIC -- chapter 9 Daniel E. Freeman (2003), 'Johann Christian Bach and the Early Classical Italian Masters', in Robert L. Marshall (ed.), Eighteenth-Century Keyboard Music, 2nd edn, New York and London: Routledge, ppages 230-69. -- chapter 10 Richard Maunder (1991), 'J.C. Bach and the Early Piano in London', Journal of the Royal Musical Association, 116, ppages 201-10. -- chapter 11 Stanley Sadie (1956), 'The Wind Music of J.C. Bach', Music & Letters, 37, ppages 107-17. -- chapter 12 Adena Portowitz (2012), 'Johann Christian Bach', in Mary Sue Morrow and Bathia Churgin (eds), The Eighteenth-Century Symphony, Bloomington, IN: Indiana University Press, ppages 662-83. -- chapter 13 Niels Krabbe (1972), 'J.C. Bach's Symphonies and the Breitkopf Thematic Catalogue', in Niel Schiorring, Henrik Glahn and Carsten E. Hatting (eds), Festskrift Jens Peter Larsen, Copenhagen: Wilhelm Hansen, ppages 233-54. -- chapter 14 Ann van Allen-Russell (2002), ' -- chapter 15 Jen-yen Chen (2008), 'Johann Christian Bach and the Church Symphony', in Gregory Butler, George B, Stauffer and Mary Dalton Greer (eds), About Bach, Urbana, IL: University of Illinois Press, ppages 89-108. -- chapter 16 Jane R. Stevens (2001), 'Johann Christian Bach (1735-82)', in The Bach Family and the Keyboard Concerto: The Evolution of a Genre, Warren, MI: Harmonie Park Press, ppages 169-211. -- chapter 17 Bryan Gillingham (1981), 'Social and Musical Matters Pertaining to J.C. Bach's Third Set of Keyboard Concertos', The Music Review, 42, ppages 225-37. -- part PART III VOCAL MUSIC -- chapter 18 Stephen Roe (2002), 'The Newly Rediscovered Autograph Manuscripts of Johann Christian Bach's Milan Sacred Music at the Staats- und Universitatsbibliothek Hamburg (ND VI 540, Vols. 1-4)'. Originally published as 'Wiederaufgefundene Autographe von Johann Christian Bachs Mailander Kirchenmusik in der Staats-und Universitatsbibliothek Hamburg (ND VI 540, Bd. 1-4)', Bach-Jahrbuch, ppages 179-90. -- chapter 19 Kenneth Nott (1999), 'J.C. Bach's Gioas, re di Giuda: A Meeting of Metastasian and Handelian Traditions', Handel-Jahrbuch, 45, ppages 117-34. -- chapter 20 Ernest Warburton (1965-66), 'J.C. Bach's Operas', Proceedings of the Royal Musical Association, 92, ppages 95-106. -- chapter 21 Margaret R. Butler (2015), 'The Misadventures of Artaserse (Turin, 1760): J.C. Bach's First Italian Opera from Production to Performance', in Bruno Forment (ed.), Revaluing Theatrical Heritage: Selected Papers from Kortrijk, Belgium, January 2013, Leuven: Leuven University Press, ppages 89-104. -- chapter 22 Martha Feldman (1991), 'Mozart and His Elders: Opera-Seria Arias, 1766-1775', Mozart-Jahrbuch, ppages 564-75. -- chapter 23 Stefan Kunze (1965), 'Die Vertonungen der Arie -- chapter 24 Stephen Roe (1985), 'Introduction' to Johann Christian Bach: Favourite Songs Sung at Vauxhall Gardens (Music for London Entertainment, 1600-1800: Music of the Pleasure Gardens), Tunbridge Wells: Macnutt, ppages xvii-xxi. -- chapter 25 Ernest Warburton (1985), 'Lucio Silla, by Mozart and J.C. Bach', The Musical Times, 126, ppages 726-30. -- chapter 26 Paul Corneilson (1994), 'The Case of J.C. Bach's Lucio Silla', Journal of Musicology, 12, ppages 206-18. -- chapter 27 Ernest Warburton (1972), 'J.C. Bach's -- chapter 28 Virginia Palmer (1982), 'The Application of the Sonata Principle to Structure in La clemenza di Scipione by J.C. Bach', Indiana Theory Review, 6, ppages 36-62 |
| Summary |
This volume of essays brings together the best of recent scholarship on Johann Christian Bach, the youngest son of J.S. Bach and a friend and mentor of Mozart. J.C. Bach had a cosmopolitan career, beginning in Berlin as a pupil of his half-brother, C.P.E. Bach, then a sojourn to Italy where he studied with Padre Martini in Bologna; after making his successful debut with operas for Turin and Naples he moved to London, where he became a leading composer and impresario. The articles selected for this volume represent the principal themes of scholarly research and writing over the past fifty years. The introduction provides a survey of J.C. Bach's career and an overview of recent literature. The collection includes English translations of two articles first published in German in the Bach-Jahrbuch, as well as one article published as recently as 2015. An appendix lists the complete contents of The Collected Works of Johann Christian Bach, using the Warburton catalogue numbers |
| Notes |
Originally published 2015 by Ashgate Publishing |
| Bibliography |
Includes bibliographical references and index |
| Subject |
Bach, Johann Christian, 1735-1782.
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Bach, Johann Christian, 1735-1782. |
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Composition (Music)
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Composition (Music)
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| Form |
Electronic book
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| Author |
Corneilson, Paul E. (Paul Edward)
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| ISBN |
1351561863 |
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135156188X |
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9781351561860 |
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9781351561884 |
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