Modern art on the margins of Peronism -- Proclamations and programs during the Revolución Libertadora -- The "new" art scene -- The avant-garde as problem -- The decentering of the modernist paradigm -- Strategies of internationalization -- The avant-garde between art and politics
Summary
An exploration of the impact of the 1960s and the U.S. post-cold war moment on the reception of Latin American art and artists
Bibliography
Includes bibliographical references (pages 373-395) and index
Notes
Translated from the Spanish
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