| Description |
x, 216 pages : illustrations ; 24 cm |
| Contents |
Machine derived contents note: List of illustrations -- Acknowledgements -- Introduction -- Part I. Visual Art and Aesthetic Theory in Marx's Early Years: 1. Hellenes vs. Nazarenes -- 2. Feuerbach and the 'Nazarene' madonna -- 3. Marx's lost aesthetic: the early years under Friedrich Wilhelm IV -- 4. Marx's Economic and Philosophic Manuscripts and the development of a 'productivist' aesthetic -- 5. Towards an outline of artistic production, or the 'charm' of a materialist aesthetic -- Part II. The Russian Saint-Simon: The Artist as Producer in Russia from the 1830s to the 1930s and Beyond: 6. Saint-Simonists and Realists -- 7. The Constructivists of the 1920s and the concept of avant-garde -- 8. Avant-garde vs. 'Agroculture': problems of the avant-garde - from Lenin to Stalin and after -- Conclusion -- Notes -- Select Bibliography -- Index |
| Analysis |
Arts Aesthetics Theories of Marx, Karl, 1818-1883 |
| Notes |
Includes index |
| Bibliography |
Bibliography: pages 199-207 |
| Subject |
Marx, Karl, 1818-1883 -- Criticism and interpretation.
|
|
Marx, Karl, 1818-1883.
|
| SUBJECT |
Marx, Karl, 1818-1883 http://id.loc.gov/authorities/names/n79006935 -- Ästhetik
|
| Subject |
Communism and art -- History.
|
|
Communist aesthetics -- History.
|
|
Constructivism (Art) -- Russia (Federation)
|
| LC no. |
83014319 |
| ISBN |
0521256666 |
|
