| Description |
1 online resource |
| Series |
Brill's studies in intellectual history, 0920-8607 ; volume 296 |
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Brill's studies on art, art history, and intellectual history ; volume 37 |
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Brill's studies in intellectual history. Brill's studies on art, art history, and intellectual history ; v. 296-37.
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| Contents |
Introduction : the erotics of virtue -- Moralized love -- Disability and redemption -- Monastic morality -- Holy matrimony -- Infancy moralized -- Kissing kids -- Epilogue : the limits of mother-son eroticism |
| Summary |
"In Gardens of Love and the Limits of Morality in Early Netherlandish Art, Andrea Pearson charts the moralization of human bodies in late medieval and early modern visual culture, through paintings by Jan van Eyck and Hieronymus Bosch, devotional prints and illustrated books, and the celebrated enclosed gardens of Mechelen among other works. Drawing on new archival evidence and innovative visual analysis to reframe familiar religious discourses, she demonstrates that depicted topographies advanced and sometimes resisted bodily critiques expressed in scripture, conduct literature, and even legislation. Governing many of these redemptive greenscapes were the figures of Christ and the Virgin Mary, archetypes of purity whose spiritual authority was impossible to ignore, yet whose mysteries posed innumerable moral challenges. The study reveals that bodily status was the fundamental problem of human salvation, in which artists, patrons, and viewers alike had an interpretive stake"-- Provided by publisher |
| Bibliography |
Includes bibliographical references and index |
| Notes |
Print version record and CIP data provided by publisher; resource not viewed |
| Subject |
Human figure in art.
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Art, Netherlandish.
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Art and morals -- Benelux countries
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Arts and religion -- Benelux countries
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Human beings in art.
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Art and morals
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Art, Netherlandish
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Arts and religion
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Human figure in art
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Benelux countries
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| Form |
Electronic book
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| LC no. |
2019000904 |
| ISBN |
9004393102 |
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9789004393103 |
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