Photography as film and film as photography -- The novel and the ruse of the work -- Citation and affect in music -- Modernism on TV
Summary
Nicholas Brown theorizes the historical and theoretical conditions for the persistence of art's autonomy from the realm of the commodity by showing how an artist's commitment to form and by demanding interpretive attention elude the logic of capital
Bibliography
Includes bibliographical references and index
Notes
Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002. http://purl.oclc.org/DLF/benchrepro0212 MiAaHDL
Online resource; title from digital title page (viewed on April 26, 2019)
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