| Description |
1 online resource (viii, 249 pages) : illustrations (chiefly color) |
| Contents |
Introduction: Artists as Agents beyond the Frame / Maya Stanfield-Mazzi and Margarita Vargas-Betancourt -- Artists as Activists: The Development of Indigenous Artists? Rights -- during the Sixteenth Century / Maya Stanfield-Mazzi -- Indigenous Artistic Practice and Collaboration at the Colegio de Santa Cruz in Mexico City (1534-1575) / Jennifer R. Saracino -- The Pochtecatl Angelina Martina: Supplying Mexico City's Art World in the Sixteenth Century / Margarita Vargas-Betancourt -- The Power of Expertise: Artists as Arbiters of the Miraculous in New Spain / Derek S. Burdette -- The Brush and the Burin: Copies, Originals, and True Portraits in Juan María de Guevara y Cantos's Corona de la divinissima María (Lima, 1644) / Emily C. Floyd -- Art-Making and Art-Breaking in the Era of Andean Insurgencies / Ananda Cohen-Aponte -- Paint and Poison: Black Artists and Elite Anxieties in Eighteenth-Century Havana / Linda Marie Rodriguez -- Conclusion: Artistic Presences in Colonial Latin America / Aaron M. Hyman and Barbara E. Mundy |
| Summary |
"This volume addresses and expands the role of the artist in colonial Latin American society, featuring essays that consider the ways society conceived of artists and the ways artists defined themselves"-- Provided by publisher |
| Bibliography |
Includes bibliographical references and index |
| Notes |
Description based on online resource; title from digital title page (viewed on April 24, 2023) |
| Subject |
Art, Colonial -- Latin America
|
|
Art, Latin American -- History
|
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Artists -- Latin America -- History
|
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ART / Caribbean & Latin American
|
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Art, Colonial
|
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Art, Latin American
|
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Artists
|
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Latin America
|
| Genre/Form |
History
|
| Form |
Electronic book
|
| Author |
Stanfield-Mazzi, Maya Selama, 1972- editor.
|
|
Vargas-Betancourt, Margarita, editor.
|
| LC no. |
2022045669 |
| ISBN |
9781683403937 |
|
1683403932 |
|
9781683403784 |
|
1683403789 |
|
