| Description |
vii, 484 pages : illustrations ; 26 cm |
| Series |
Studies in British art ; 12 |
|
Studies in British art ; 12
|
| Contents |
The Italianate evolution of English collecting / Edward Chaney -- The collecting and patronage of John, Lord Lumley (c.1535-1609) / Kathryn Barron -- Collecting and religion in late sixteenth-century England / Richard L. Williams -- The early Cecils and Italianate taste / Susan Bracken -- A question of judgement: Lucy Harington, Countess of Bedford, as art patron and collector / Karen Hearn -- The ambassador as art agent: Sir Dudley Carleton and Jacobean collecting / Robert Hill -- Thomas Howard, the collector Earl of Arundel and Leonardo's drawings / Jane Roberts -- The Countess of Arundel and Tart Hall / Elizabeth V. Chew -- Italian paintings in the Buckingham collection / Philip McEvansoneya -- Richard Symonds and Thomas Isham as collectors of prints in seventeenth-century Italy / Anne Brooks -- The Aldrich prints: a late seventeenth-century collection, its sources and arrangement / Christopher Baker -- The Duke of Marlborough as a collector and patron of sculpture / Charles Avery |
| Notes |
"Published for the Paul Mellon Centre for Studies in British Art [and] the Yale Center for British Art." |
| Bibliography |
Includes bibliographical references and index |
| Subject |
Art, Italian -- Collectors and collecting -- England -- History -- 16th century.
|
|
Art, Italian -- Collectors and collecting -- England -- History -- 17th century.
|
| Author |
Chaney, Edward.
|
|
Paul Mellon Centre for Studies in British Art.
|
|
Yale Center for British Art.
|
| ISBN |
0300102240 |
|
