| Description |
1 online resource (319 pages) : illustrations (some color) |
| Contents |
Introduction: Between the programmed and the free -- Collectivizing authorship : Arte Programmata and the Open work, 1962 -- Programming the spectator : environments and control, 1964-1967 -- The politics of information : Arte Programmata and international computer art, 1965-1970 -- Autonomy and organization : Progettazione and the ends of programmed art, 1970s |
| Summary |
"In postwar Italy, a group of visionary artists used emergent computer technologies as both tools of artistic production and a means to reconceptualize the dynamic interrelation between individual freedom and collectivity. Arte Programmata traces the multifaceted practices of these groundbreaking artists and their conviction that technology could provide the conditions for a liberated social life"-- Provided by publisher |
| Analysis |
Arte programmata |
| Notes |
Revision of the author's thesis (doctoral)--City University of New York, 2017, under the title: Open works : between the programmed and the free, art in Italy 1962 to 1972 |
| Bibliography |
Includes bibliographical references and index |
| Notes |
Description based on online resource; title from digital title page (viewed on September 29, 2022) |
| Subject |
Art and computers -- Italy -- History -- 20th century
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Interactive art -- Italy -- History -- 20th century
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Art, Italian -- 20th century -- Themes, motives
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Creation (Literary, artistic, etc.)
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ART / History / Contemporary (1945-)
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ART / Digital.
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Art and computers
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Art, Italian -- Themes, motives
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Creation (Literary, artistic, etc.)
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Interactive art
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Italy
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| Genre/Form |
History
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| Form |
Electronic book
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| LC no. |
2022015121 |
| ISBN |
9781452964331 |
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1452964335 |
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1452964343 |
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9781452964348 |
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