| Description |
189 pages : chiefly illustrations ; 23 cm |
| Contents |
Form : Fluted: Marina City apartment ; Aggregated: Capsule Hotel ; Spiral: 30 St. Mary Axe Street ; Banded: Johnson Wax Laboratory Tower ; Dematerialized: Tower of Winds ; Amorphous: Selfridges Department Store -- Structure : Undulated: Church of the Christ the Worker ; Latticed: Banque Lambert Headquarters ; Oblique: Carson Pirie Scott Department Store ; Scaleless: MIT Simmons Hall ; Vertical: Seagram Building ; Quilted: Prada Aoyama Store ; Modular: US Embassy ; Random: Serpentine Pavilion ; Relief: Millard House -- Screen : Diverse: Silodam Housing ; Modular: Berlin Free University ; Rusticated: Dominus Winery ; Textured: Beinecke Rare Book Library ; Pleated: Christian Dior Omotesando Store ; Discontinuous: Sendai Mediatheque ; Differentiated: Aichi Spanish Pavilion ; Embroidered: John Lewis Department Store ; Complex: The Atrium at Federation Square ; Kinetic: Louis Vuitton Roppongi Hills Store ; Moiréd: Louis Vuitton Nagoya Store ; Differentiated: De Young Museum ; Differentiated: Torre Agbar Headquarters ; Geometric: Institut du Monde Arabe ; Cinematic: Maison de Verre ; Luminous: Kunsthaus Bregenz -- Surface : Weighted: Ricola Laufen Warehouse ; Deep: Signal Box ; Differentiated: Boehringer Ingelheim Offices and Laboratories ; Tartan: Christian Dior Ginza Store ; Alternating: IBM Training and Manufacturing Center ; Camouflaged: Usine Aplix ; Tonal: Laban Dance Center ; Gradated: Ricola Mulhouse Factory ; Textured: Nexus Housing ; Branded: Santa Monica Place Garage ; Serial: Eberswalde Library |
| Summary |
"Architecture needs mechanisms that allow it to become connected to culture. It achieves this by continually capturing the forces that shape society as material to work with. Architecture's materiality is therefore a composite one, made up of visible forces (structural, functional, physical) as well as invisible forces (cultural, political, temporal). Architecture progresses through new concepts that connect with these forces, manifesting itself in new aesthetic compositions and affects. Ornament is the by-product of this process, through which architectural material is organized to transmit unique affects." "This book is a graphic guide to ornaments in the twentieth century. It unveils the function of ornament as the agent for specific affects, dismantling the idea that ornament is applied to buildings as a discrete or non-essential entity. Each case operates through greater or lesser depth to exploit specific synergies between the exterior and the interior, constructing an internal order between ornament and material. These internal orders produce expressions that are contemporary, yet whose affects are resilient in time."--Jacket |
| Notes |
"The drawings of in this book are entirely the work and interpretation of students at the Harvard University Graduate School of Design."--Colophon |
| Bibliography |
Includes bibliographical references (page 11) |
| Subject |
Decoration and ornament, Architectural
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Architectural design
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Architecture, Modern -- Details
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Building -- Details
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Curtain walls
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architectural ornament.
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curtain walls (nonbearing walls)
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Architectural design.
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Building -- Details.
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Curtain walls.
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Decoration and ornament, Architectural.
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Bauornament
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Decoration and ornament, Architectural.
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Architectural design.
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Architecture, Modern -- Details.
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Building -- Details.
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Curtain walls.
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| Author |
Moussavi, Farshid, 1965-
|
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Kubo, Michael
|
| ISBN |
8496540502 |
|
9788496540507 |
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